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Republic of Texas

  • 1 Republic of Texas

    ист
    Провозглашена в марте 1836 в результате восстания техасских колонистов против мексиканских властей, вошедшего в историю как Техасская революция [ Texas Revolution]. На мартовском конвенте в Техасе была провозглашена независимость от Мексики, которая стала реальностью в октябре после победы при Сан-Хасинто [ San Jacinto, Battle of]. Президентом республики был провозглашен С. Хьюстон [ Houston, Samuel (Sam)]. Основные направления деятельности его первой администрации (1836-38) состояли в попытках установить общую политическую и экономическую стабильность, мир с индейскими племенами, а также добиться признания со стороны США в надежде на немедленную аннексию ими новой республики. В 1838 президента Хьюстона сменил М. Ламар [ Lamar, Mirabeau Buonaparte], настроенный на независимость Техаса и изгнавший с его территории практически всех индейцев. В 1841 Хьюстон был переизбран и добился основной цели - аннексии Техаса летом 1845 и принятия его в состав США на правах штата в феврале 1846 [ admission to the Union]

    English-Russian dictionary of regional studies > Republic of Texas

  • 2 Texas

    Штат на юге центральной части США, в группе штатов Юго-Западного Центра [ West South Central States]. Граничит с Мексикой на юго-западе и со штатами Нью-Мексико [ New Mexico] на западе, Оклахома [ Oklahoma] на северо-востоке, Арканзас [ Arkansas] и Луизиана [ Louisiana] на востоке. С юго-востока омывается водами Мексиканского залива [ Mexico, Gulf of]. Площадь 1244 тыс. кв. км (второй по площади штат после Аляски). Население 20,8 млн. человек (2000; второе место по численности населения в США после штата Калифорния). Столица - г. Остин [ Austin], крупнейшие города: Хьюстон [ Houston] (СМА [ SMA] Хьюстон-Галвестон-Бразориа), Даллас - Форт-Уэрт [Dallas - Fort Worth], Сан-Антонио [ San Antonio], Эль-Пасо [ El Paso], Корпус-Кристи [ Corpus Christi], Лаббок [ Lubbock], Амарилло [ Amarillo], Абилин [ Abilene], Уэйко [ Waco] и др. Рельеф Техаса разнообразен: Примексиканская низменность [Gulf Coastal Plain], протянувшейся полосой 80-100 км в ширину вдоль Мексиканского залива, повышается в центральной и юго-западной части штата; далее простираются Великие равнины [ Great Plains], южная часть которых известна как плато Эдвардс [ Edwards Plateau]. Западнее лежит плато Льяно-Эстакадо [ Llano Estacado] (максимальные высоты до 1200 м). Наивысшая точка штата - пик Гуадалупе [Guadalupe Peak] (2667 м) в горах Транс-Пекос [Trans-Pecos Mountains] на крайнем западе. Крупнейшие реки: Рио-Гранде [ Rio Grande River], образующая границу между Техасом и Мексикой, а также Ред [ Red River], Колорадо [ Colorado River], Пекос [ Pecos River], Сабин [ Sabine River] и др. Многочисленные водохранилища, используемые для ирригации. Разнообразные, достаточно плодородные почвы. Климат континентальный, на юго-востоке теплый и влажный, на севере и западе сухой, пустынный или полупустынный. Нередки засухи, особенно в районе Высоких равнин [ High Plains]. Для долины р. Ред характерны торнадо. Крупные месторождения нефти (до одной трети всех разведанных запасов в США) и газа. На Примексиканской низменности залежи урановых руд. Древнейшие следы пребывания человека на территории нынешнего Техаса связаны с культурой строителей курганов [ Mound Builders]. К моменту прихода европейцев эти земли населяли индейцы апачи [ Apache], кэддо [ Caddo] и команчи [ Comanche]. Первыми на территории Техаса высадились испанцы А. Кабеса де Вака [Cabeza de Vaca, Alvar Nunez] (1528) и Ф. Коронадо [Coronado, Francisco] (1541) со своими отрядами. В 1685 свой первый форт основали французы во главе с Р. К. де Ласаллем [ La Salle, Robert Cavelier, Sieur de]. К середине XVIII в. территория Техаса была подробно исследована испанцами. Покупка Луизианы [ Louisiana Purchase] в 1803 вызвала рост темпов заселения техасских земель американцами. В 1820 М. Остин [Austin, Moses] получил разрешение испанцев, владевших тогда Мексикой, на организацию американских поселений в Техасе. Умирая, он завещал продолжить начатое им дело своему сыну Стивену [Austin, Stephen; Texas Fever]. Борьба за независимость от Мексики 1835-36, известная под названием Техасская революция [ Texas Revolution], привела к провозглашению в 1836 Республики Техас [ Republic of Texas]. В 1845 Техас вошел в состав США как рабовладельческий штат. В результате американо-мексиканской войны 1846 [ Mexican War] к США отошла половина территории Мексики, и юго-западная граница Техаса была окончательно проведена по реке Рио-Гранде [см Treaty of Guadalupe Hidalgo, Compromise of 1850]. Во время Гражданской войны [ Civil War] рабовладельческий Техас выступил на стороне южан, но крупных сражений на территории штата не происходило. Период послевоенной Реконструкции стал временем наплыва в штат "саквояжников" [ carpetbaggers]. В экономике Техаса ведущую роль начали играть крупные скотоводческие хозяйства; перегон скота к железной дороге осуществлялся по знаменитой Чизхолмской тропе [ Chisholm Trail]. Первый нефтяной фонтан в Техасе забил в 1901; крупнейшие месторождения нефти, открытые в 1930 на востоке штата, помогли ему без больших потерь пережить годы Великой депрессии [ Great Depression]. Важнейшим политическим вопросом в Техасе вплоть до 1960-х была расовая дискриминация. Экономика штата, долгое время получавшая большую часть доходов от нефтяного бизнеса, серьезно пострадала от падения цен на нефть в 1980-е; сейчас усиливается стремление к ее диверсификации. Техас является крупнейшим сельскохозяйственным штатом: первое место в США по производству говядины, значительные посевы хлопка и сорго, выращивание бахчевых культур, овощей и зерновых. Ведущее место в рыболовстве занимает ловля креветок. Промышленность в основном занимается переработкой нефти и газа, а также сельскохозяйственного сырья. Около 80 процентов населения проживает в городах, в том числе почти половина в агломерациях Даллас - Форт-Уэрт и Хьюстон-Галвестон-Бразориа. Белые составляют 75 процентов населения, чернокожие - около 12. Более 25 процентов техасцев - латиноамериканского происхождения [ Hispanic Americans]. С Техасом тесно связаны биографии президентов США Л. Джонсона [ Johnson, Lyndon Baines (LBJ)], Дж. Буша [ Bush, George Herbert Walker] и Дж. У. Буша [ Bush, George W(alker)]. Большинство техасцев поддерживают Демократическую партию [ Democratic Party].

    English-Russian dictionary of regional studies > Texas

  • 3 Texas Revolution

    ист
    К середине 1830-х американское население Техаса превышало 40 тыс. человек; большинство из них было недовольно политикой мексиканских властей, запрещавших рабство, и в особенности требованием об обязательном переходе в католичество. В 1835 по инициативе поселенцев из Мексики, недовольных диктаторскими тенденциями ее правительства, началась борьба за независимость Техаса от Мексики, получившая название Техасской революции. Мексиканских поселенцев, бывших в меньшинстве, немедленно поддержали американцы, переселившиеся в Техас. Героическая оборона миссии Аламо [ Alamo, The] и расстрел повстанцев в Голиаде [ Goliad] по приказу мексиканского командующего А. Санта-Аны не сломили боевой дух техасцев, которые шли в бой с кличем: "Помни Аламо! Помни Голиад!" [ Remember the Alamo! Remember Goliad!]. 2 марта 1836 Техас провозгласил независимость, вскоре повстанцы под командованием С. Хьюстона [ Houston, Samuel (Sam)] разгромили армию генерала Санта-Аны в сражении при Сан-Хасинто [ San Jacinto, Battle of], а самого его взяли в плен. Первым президентом Республики Техас [ Republic of Texas] стал С. Хьюстон, а ее символом - "флаг одинокой звезды" [Lone Star flag]. В 1845 Техас вошел в состав США в качестве 28-го штата

    English-Russian dictionary of regional studies > Texas Revolution

  • 4 San Jacinto, Battle of

    Решающее сражение в войне Техаса за независимость от Мексики, победа в котором обеспечила независимость Техаса [ Republic of Texas] в 1836. 21 апреля 1836 у переправы через р. Сан-Хасинто на юго-востоке Техаса поселенцы (800 человек) под командованием генерала С. Хьюстона [ Houston, Samuel (Sam)] дождались, пока к мексиканскому отряду генерала Санта-Ана из 910 человек присоединится подкрепление из 540 человек, чтобы, по выражению Хьюстона, "не кусать два раза одну вишню" ["not to take two bites of a cherry"]. Техасцы неожиданно напали на мексиканцев на следующее утро, отрезав им путь к переправе, разбили и практически уничтожили мексиканский отряд, потеряв при этом лишь 16 человек убитыми и 24 ранеными. Взятый в плен Санта-Ана обязался вывести все мексиканские части из Техаса. Ныне на месте сражения создан военно-исторический парк штата [San Jacinto Battleground State Historic Site] (включает Музей истории штата Техас [San Jacinto Museum of Texas History], а также флагманский корабль "Техас" [Texas Battleship], с которого Д. Эйзенхауэр [ Eisenhower, Dwight David (Ike)] командовал высадкой в Нормандии [ D-Day] в 1944)

    English-Russian dictionary of regional studies > San Jacinto, Battle of

  • 5 Houston, Samuel (Sam)

    (1793-1863) Хьюстон, Сэмюэл (Сэм)
    Политический деятель. В 15-летнем возрасте ушел из дома, три года жил среди индейцев чероки [ Cherokee]. Во время англо-американской войны 1812-14 [ War of 1812] служил под началом генерала Э. Джексона [ Jackson, Andrew], принял участие в битве при Хорсшу-бенд [ Horseshoe Bend, Battle of]. После войны стал агентом по делам индейцев, занимался переселением индейцев-чероки из Теннесси в Арканзас. Избирался в Палату представителей [ House of Representatives]. В 1827-29 - губернатор Теннесси, затем ушел в отставку и вернулся к индейцам чероки. Был официально приемным сыном чероки, в течение ряда лет имел торговый пост на территории племени. Выступал за справедливое обращение с индейцами. Когда президент Э. Джексон направил его в Техас вести переговоры с местными индейскими племенами, он принял участие в движении за независимость Техаса; участник Конвента 1833 в Сан-Фелипе, автор конституции Техаса. В 1835 стал командующим техасской армией. В 1836-38 - первый президент Республики Техас [ Republic of Texas], вновь - в 1841-44. В 1845 после вступления Техаса в Союз, 14 лет был сенатором от Техаса. Поддерживал северян, выступал против билля Канзас-Небраска [ Kansas-Nebraska Act] 1854. В 1861 отказался принести присягу Конфедерации [Confederacy] и был отозван из Сената

    English-Russian dictionary of regional studies > Houston, Samuel (Sam)

  • 6 Lamar, Mirabeau Buonaparte

    (1798-1859) Ламар, Мирабо Бонапарт
    Второй президент Республики Техас [ Republic of Texas] (1838-41). Выходец из Джорджии, поселился в Техасе в 1835, на следующий год принял участие в восстании против мексиканских властей. Был вице-президентом республики в 1836-38

    English-Russian dictionary of regional studies > Lamar, Mirabeau Buonaparte

  • 7 Nueces River

    Протекает по юго-западной части штата Техас, впадает в бухту Нуэсес [Nueces Bay] Мексиканского залива [ Mexico, Gulf of] у города Корпус-Кристи. Длина около 507 км. Была предметом пограничных споров между Мексикой и Техасской Республикой [ Republic of Texas] (1836-46), затем США, вылившихся в Войну с Мексикой [ Mexican War]

    English-Russian dictionary of regional studies > Nueces River

  • 8 Newfield, Sam

    1899-1964
       Nacido Samuel Neufeld, hermano de Sigmund Neufeld, futuro jefe de produccion de PRC, dirige cortometrajes desde 1926, y largometrajes desde 1933. Probablemente el mas prolifico realizador norteamericano de la era sonora, dirigio, sobre todo, westerns. Por sus manos paso una parte importante de los viejos heroes del genero, en peliculas de una hora de duracion y argumentos eternamente repetidos. Solo leer su filmografia produce cierto vertigo. Establecerla rigurosamente es una tarea ardua, especialmente en lo relativo al orden cronologico estricto, por lo que en esta ocasion mas que en ninguna otra hay que entender que ese orden es susceptible de correccion. Utiliza los seudonimos de Peter Stewart y Sherman Scott. Se ha prescindido de tres aparentes largometrajes, situados al final de su carrera y obtenidos, cada uno de ellos, por super posicion de dos episodios del serial televisivo “Hawkeye and the Last of the Mohicans”. Aunque el nivel medio de los filmes de Sam Newfeld es realmente bajo, hay que citar dos curiosidades: Harlem on the Prairie (1937) esta interpretado integramente por negros, y The Terror of Tiny Town (1938), por enanos, que se mueven en decorados de tamano normal.
        Undercover Men. 1935. 60 minutos. Blanco y Negro. Dominion. Charles Starrett, Adrienne Dore.
        Northern Frontier. 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Eleanor Hunt, LeRoy Mason.
        Code of the Mounted (Fiel a su consigna). 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Lilian Miles, Robert Warwick.
        Branded a Coward (El botin del rancho). 1935. 57 minutos. Blanco y Negro. Supreme. Johnny Mack Brown, Billie Seward, Syd Taylor.
        Trails of the Wild. 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Billie Seward, Fuzzy Knight.
        Timber War. 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Lucille Lund, Lawrence Gray.
        Bulldog Courage. 1935. 60 minutos. Blanco y Negro. Puritan. Tim McCoy, Joan Woodbury.
        Roarin’ Guns. 1936. 59 minutos. Blanco y Negro. Puritan. Tim McCoy, Rosalinda Rice, Rex Lease.
        Border Caballero. 1936. 59 minutos. Blanco y Negro. Puritan. Tim McCoy, Lois January, Ralph Byrd.
        Lightnin’ Bill Carson. 1936. 57 minutos. Blanco y Negro. Puritan. Tim McCoy, Lois January, Rex Lease.
        Aces and Eights. 1936. 62 minutos. Blanco y Negro. Puritan. Tim McCoy, Luana Walters, Rex Lease.
        The Lion’s Den. 1936. 59 minutos. Blanco y Negro. Puritan. Tim McCoy, Joan Woodbury, Don Barclay.
        Ghost Patrol. 1936. 60 minutos. Blanco y Negro. Puritan. Tim McCoy, Claudia Dell, Walter Miller.
        The Traitor. 1936. 56 minutos. Blanco y Negro. Puritan. Tim McCoy, Frances Grant, Wally Wales.
        Roarin’ Lead (co-d.: Mack V. Wright). 1936. 57 minutos. Blanco y Negro. Republic. Bob Livingston, Ray Corrigan, Max Terhune, Christine Maple.
        Stormy Trails. 1936. 58 minutos. Blanco y Negro. Colony (Grand National). Rex Bell, Lois Wilde, Lane Chandler.
        The Gambling Terror. 1937. 53 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Iris Meredith, Horace Murphy.
        Lightnin’ Crandall. 1937. 60 minutos. Blanco y Negro. Republic. Bob Steele, Lois January, Frank LaRue.
        Trail of Vengeance. 1937. 58 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Iris Meredith.
        Melody of the Plains. 1937. 55 minutos. Blanco y Negro. Spectrum. Fred Scott, Al St. John, Louise Small.
        Bar-Z Bad Men. 1937. 57 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Lois January.
        Guns in the Dark. 1937. 56 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Claire Rochelle, Syd Saylor.
        Gun Lords of Stirrup Basin. 1937. 53 minutos. Blanco y Negro. Republic. Bob Steele, Louise Stanley, Frank LaRue.
        A Lawman Is Born. 1937. 58 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Iris Meredith, Al St. John.
        Doomed at Sundown. 1937. 53 minutos. Blanco y Negro. Republic. Bob Steele, Lorraine Randall.
        Boothill Brigade. 1937. 56 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Claire Rochelle, Horace Murphy.
        Arizona Gunfighter. 1937. 58 minutos. Blanco y Negro. Republic. Bob Steele, Jean Carmen, Ted Adams.
        Ridin’ the Lone Trail. 1937. 56 minutos. Blanco y Negro. Republic. Bob Steele, Claire Rochelle, Charles King.
        Moonlight on the Range. 1937. 52 minutos. Blanco y Negro. Spectrum. Fred Scott, Al St. John, Lois January.
        The Fighting Deputy. 1937. 57 minutos. Blanco y Negro. Spectrum. Fred Scott, Al St. John, Marjorie Beebe.
        The Colorado Kid. 1937. 56 minutos. Blanco y Negro. Republic. Bob Steele, Marion Weldon, Karl Hackett.
        Harlem on the Prairie (co-d.: Jed Buell). 1937. 55 minutos. Blanco y Negro. Associated. Herbert Jeffries, Connie Harris.
        Paroled To Die. 1938. 55 minutos. Blanco y Negro. Republic. Bob Steele, Kathleen Eliot, Karl Hackett.
        The Ranger’s Roundup. 1938. 55 minutos. Blanco y Negro. Spectrum (Stan Laurel Prod.) Fred Scott, Al St. John, Christine McIntyre.
        Thunder in the Desert. 1938. 56 minutos. Blanco y Negro. Republic. Bob Steele, Louise Stanley, Don Barclay.
        Code of the Rangers. 1938. 56 minutos. Blanco y Negro. Concord (Monogram). Tim McCoy, Judith Ford, Rex Lease.
        The Feud Maker. 1938. 55 minutos. Blanco y Negro. Republic. Bob Steele, Marion Weldon, Karl Hackett.
        Knights of the Plains (Allende Rio Grande). 1938. 57 min. Blanco y Negro. Spectrum (Stan Laurel Prod.) Fred Scott, Al St. John, Marion Weldon.
        Songs and Bullets. 1938. 58 minutos. Blanco y Negro. Spectrum (Stan Laurel Prod.) Fred Scott, Al St. John, Alice Ardell.
        Gunsmoke Trail. 1938. 57 minutos. Blanco y Negro. Concord (Monogram). Jack Randall, Louise Stanley, Al St. John.
        Phantom Ranger. 1938. 54 minutos. Blanco y Negro. Concord (Mono gram). Tim McCoy, Suzanne Kaaren.
        Desert Patrol. 1938. 56 minutos. Blanco y Negro. Republic. Bob Steele, Marion Weldon, Rex Lease.
        Durango Valley Raiders. 1938. 55 minutos. Blanco y Negro. Republic. Bob Steele, Louise Stanley, Karl Hackett.
        Frontier Scout. 1938. 61 minutos. Blanco y Negro. Fine Arts (Grand Natio nal). George Houston, Al St. John, Beth Marion.
        Lightning Carson Rides Again. 1938. 58 minutos. Blanco y Negro. Victory. Tim McCoy, Joan Barclay, Ben Corbett.
        Six-Gun Trail. 1938. 59 minutos. Blanco y Negro. Victory. Tim McCoy, Nora Lane, Ben Corbett.
        The Terror of Tiny Town. 1938. 62 minutos. Blanco y Negro. Principal (Co lumbia). Billy Curtis, Little Billy Rhodes, Nita Krebs, Yvonne Moray.
        Trigger Pals. 1939. 60 minutos. Blanco y Negro. Cinemart (Grand Natio nal). Art Jarrett, Lee Powell, Dorothy Faye, Al St. John.
        Six-Gun Rhythm. 1939. 55 minutos. Blanco y Negro. Arcadia (Grand National). Tex Fletcher, Joan Barclay, Ralph Peters.
        Code of the Cactus. 1939. 56 minutos. Blanco y Negro. Victory. Tim McCoy, Dorothy Short, Ben Corbett.
        Texas Wildcats. 1939. 57 minutos. Blanco y Negro. Victory. Tim McCoy, Joan Barclay, Ben Corbett.
        Outlaw’s Paradise. 1939. 62 minutos. Blanco y Negro. Victory. Tim McCoy, Joan Barclay, Ben Corbett.
        Straight Shooter. 1939. 54 minutos. Blanco y Negro. Victory. Tim McCoy, Julie Sheldon, Ben Corbett.
        Fighting Renegade. 1939. 58 minutos. Blanco y Negro. Victory. Tim McCoy, Joyce Bryant, Ben Corbett.
        Trigger Fingers. 1939. 60 minutos. Blanco y Negro. Victory. Tim McCoy, Jill Martin (Harley Wood), Ben Corbett.
        Fighting Mad. 1939. 60 minutos. Blanco y Negro. Monogram. James Newill, Sally Blane, Benny Rubin, Dave O’Brien.
        Flaming Lead. 1939. 57 minutos. Blanco y Negro. Colony. Ken Maynard, Eleanor Stewart, Dave O’Brien.
        The Sagebrush Family Trails West (Peter Stewart). 1940. 60 minutos. Blanco y Negro. PRC. Bobby Clark, Nina Guilbert, Earle Hodgins.
        Texas Renegades (Peter Stewart). 1940. 59 minutos. Blanco y Negro. PRC. Tim McCoy, Nora Lane, Harry Harvey.
        Death Rides the Range. 1940. 58 minutos. Blanco y Negro. Colony. Ken Maynard, Fay McKenzie, Raph Peters.
        Frontier Crusader (Peter Stewart). 1940. 62 minutos. Blanco y Negro. PRC. Tim McCoy, Dorothy Short, Lou Fulton.
        Billy the Kid Outlawed (Peter Stewart). 1940. 52 minutos. Blanco y Negro. PRC. Bob Steele, Al St. John, Louise Currie.
        Gun Code (Peter Stewart). 1940. 54 minutos. Blanco y Negro. PRC. Tim McCoy, Inna Gest, Lou Fulton.
        Marked Men (Sherman Scott). 1940. 66 minutos. Blanco y Negro. PRC. Warren Hull, Isabel Jewell.
        Arizona Gang Busters (Peter Stewart). 1940. 57 minutos. Blanco y Negro. PRC. Tim McCoy, Pauline Haddon, Lou Fulton.
        Billy the Kid in Texas (Peter Stewart). 1940. 52 minutos. Blanco y Negro. PRC. Bob Steele, Terry Walker, Al St. John.
        Riders of Black Mountain (Peter Stewart). 1940. 57 minutos. Blanco y Negro. PRC. Tim McCoy, Pauline Haddon, Ralph Peters, Rex Lease.
        Billy the Kid’s Gun Justice (Peter Stewart). 1940. 57 minutos. Blanco y Negro. PRC. Bob Steele, Louise Currie, Al St. John.
        The Lone Rider Rides On. 1941. 61 minutos. Blanco y Negro. PRC. George Houston, Hillary Brooke, Al St. John.
        Billy the Kid’s Range War (Peter Stewart). 1941. 57 minutos. Blanco y Negro. PRC. Bob Steele, Joan Barclay, Al St. John.
        The Lone Rider Crosses the Rio/Across the Border. 1941. 63 minutos. Blanco y Negro. PRC. George Houston, Roquell Verrin, Al St. John.
        Outlaws of the Rio Grande (Peter Stewart). 1941. 63 minutos. Blanco y Negro. PRC. Tim McCoy, Virginia Carpenter, Ralph Peters.
        Billy the Kid’s Fighting Pals (Sherman Scott). 1941. 62 minutos. Blanco y Negro. PRC. Bob Steele, Phyllis Adair, Al St. John.
        The Lone Rider in Ghost Town. 1941. 64 minutos. Blanco y Negro. PRC. George Houston, Alaine Brandes, Al St. John.
        Billy the Kid in Santa Fe (Sherman Scott). 1941. 66 minutos. Blanco y Negro. PRC. Bob Steele, Al St. John, Rex Lease.
        The Texas Marshal (Paul Stewart). 1941. 58 minutos. Blanco y Negro. PRC. Tim McCoy, Kay Leslie, Art Davis, Dave O’Brien.
        The Lone Rider in Frontier Fury. 1941. 62 minutos. Blanco y Negro. PRC. George Houston, Hillary Brooke, Al St. John.
        The Lone Rider Ambushed. 1941. 67 minutos. Blanco y Negro. PRC. George Houston, Maxine Leslie, Al St. John.
        Billy the Kid Wanted (Sherman Scott). 1941. 64 minutos. Blanco y Negro. PRC. Buster Crabbe, Choti Sherwood, Al St. John.
        The Lone Rider Fights Back. 1941. 64 minutos. Blanco y Negro. PRC. George Houston, Dorothy Short, Al St. John.
        Billy the Kid’s Round-Up (Sherman Scott). 1941. 58 minutos. Blanco y Negro. PRC. Buster Crabbe, Joan Barclay, Al St. John.
        Texas Manhunt (Peter Stewart). 1942. 60 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Julie Duncan, Lee Powell.
        The Lone Rider and the Bandit. 1942. 54 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Vickie Lester.
        Raiders of the West (Peter Stewart). 1942. 60 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Virginia Carroll, Lee Powell.
        Billy the Kid Trapped (Sherman Scott). 1942. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Anne Jeffreys.
        The Lone Rider in Cheyenne. 1942. 59 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Ella Neal.
        Rolling Down the Great Divide (Peter Stewart). 1942. 59 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Wanda McKay, Lee Powell.
        Billy the Kid’s Smoking Guns (Sherman Scott). 1942. 58 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Joan Barclay.
        Texas Justice. 1942. 58 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Wanda McKay.
        Tumbleweed Trail (Peter Stewart). 1942. 57 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Marjorie Manners, Lee Powell.
        Law and Order (Sherman Scott). 1942. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Wanda McKay.
        Prairie Pals (Peter Stewart). 1942. 60 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Esther Estrella, Lee Powell.
        Border Roundup. 1942. 57 minutos. Blanco y Negro. PRC. George Hous ton, Al St. John, Patricia Knox.
        Along the Sundown Trail (Peter Stewart). 1942. 57 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Julie Duncan, Lee Powell.
        Sheriff of Sage Valley (Sherman Scott). 1962. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Maxine Leslie.
        The Mysterious Rider. 1942. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Caroline Burke.
        Outlaws of Boulder Pass. 1942. 58 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Marjorie Manners.
        Overland Stagecoach. 1942. 58 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Julie Duncan.
        The Kid Rides Again (Sherman Scott). 1943. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Iris Meredith.
        Wild Horse Rustlers. 1943. 58 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Lane Chandler, Linda Johnson.
        Fugitive of the Plains. 1943. 57 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Maxine Leslie.
        Death Rides the Plains. 1943. 55 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Nica Doret.
        Western Cyclone. 1943. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Marjorie Manners.
        Wolves of the Range. 1943. 60 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Frances Gladwyn.
        Cattle Stampede. 1943. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.
        The Renegade. 1943. 58 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Lois Ranson.
        Blazing Frontier. 1943. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Marjorie Manners.
        Raiders of Red Gap. 1943. 56 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Myrna Dell.
        The Devil Riders. 1943. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.
        Frontier Outlaws. 1944. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.
        Thundering Gunslingers. 1944. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.
        Valley of Vengeance. 1944. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Evelyn Finley.
        The Drifter. 1944. 62 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Carol Parker.
        Fuzzy Settles Down. 1944. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.
        Rustler’s Hideout. 1944. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.
        Wild Horse Phantom. 1944. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Elaine Morley.
        Oath of Vengeance. 1944. 57 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Mady Lawrence.
        His Brother’s Ghost. 1945. 54 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John.
        Shadows of Death. 1945. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Donna Dax.
        Gangster’s Den. 1945. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Sydney Logan.
        Stagecoach Outlaws. 1945. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.
        Border Badmen. 1945. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Lorraine Miller.
        Fighting Bill Carson. 1945. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Kay Hugues.
        Prairie Rustlers. 1945. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Evelyn Finley.
        Ligthning Raiders. 1946. 61 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Mady Lawrence.
        Gentlemen with Guns. 1946. 52 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patricia Knox.
        Terrors on Horseback. 1946. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.
        Ghost of Hidden Valley. 1946. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Jean Carlin.
        Prairie Badmen. 1946. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patricia Knox.
        Overland Riders. 1946. 54 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.
        Outlaws of the Plains. 1946. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.
        Western Pacific Agent. 1950. 62 minutos. Blanco y Negro. Lippert. Kent Taylor, Sheila Ryan, Robert Lowery.
        Three Desperate Men. 1951. 69 minutos. Blanco y Negro. Lippert. Preston Foster, Virginia Grey, Jim Davis.
        Skipalong Rosenbloom. 1951. 72 minutos. Blanco y Negro. Eagle Lion Classics (UA). Max Rosenbloom, Jackie Coogan, Hillary Brooke.
        Outlaw Women (co-d.: Ron Ormond). 1952. 75 minutos. Cinecolor. Howco (Lippert). Marie Windsor, Richard Rober.
        Last of the Desperados. 1955. 71 minutos. Blanco y Negro. Associated. James Craig, Margia Dean, Jim Davis.
        The Wild Dakotas. 1956. 71 minutos. Blanco y Negro. Associated. Bill Williams, Coleen Gray, Jim Davis.
        The Three Outlaws. 1956. 74 minutos. Blanco y Negro. SuperScope. Asso ciated. Neville Brand, Alan Hale, Jr., Lillian Molieri, Jeanne Carmen.
        Frontier Gambler. 1956. 70 minutos. Blanco y Negro. Associated. John Bromfield, Coleen Gray, Jim Davis, Margia Dean.
        Wolf Dog. 1958. 69 minutos. Blanco y Negro. RegalScope. Regal (Fox). Jim Davis, Allison Hayes.
        Flaming Frontier. 1958. 70 minutos. Blanco y Negro. RegalScope. Regal (Fox). Bruce Bennett, Paisley Maxwell, Jim Davis.

    English-Spanish dictionary of western films > Newfield, Sam

  • 9 Sherman, George

    1908-1991
       Nacido en Nueva York. Ayudante de direccion desde 1932 y director de mas de cien peliculas desde 1937, primero para Republic hasta 1944, mas tarde para Columbia hasta 1948, y despues hasta 1956 para Universal. A medida que pasaba de una productora a otra los presupuestos de sus peliculas iban siendo mas holgados, por lo que no es de extranar que su ultimo western, que es tambien su ultima pelicula, El gran Jack, sea la de presupuesto mas amplio y, dicho sea de paso, la mejor. Sherman es, sin lugar a dudas, uno de los grandes especialistas del western. Una ojeada a su filmografia hace innecesarias otras explicaciones; entre 1937 y 1943 trabaja a un ritmo frenetico para satisfacer las necesidades de algunas de las estrellas del genero, destacando, en particular, su dedicacion a la serie The Three Mes quiteers. A partir de 1946 realiza sus obras mas personales, que, sin pasar de discretas, cumplen sobradamente su cometido.
        Wild Horse Rodeo. 1937. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, June Martel.
        The Purple Vigilantes. 1938. 58 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, Joan Barclay.
        Outlaws of Sonora. 1938. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, Jean Joyce.
        Riders of the Black Hills. 1938. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, Ann Evers.
        Heroes of the Hills. 1938. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, Priscilla Lawson.
        Pals of the Saddle. 1938. 55 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, Doreen McKay.
        Overland Stage Raiders. 1938. 58 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, Louise Brooks.
        Rhythm of the Saddle. 1938. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Peggy Moran.
        Santa Fe Stampede. 1938. 58 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, June Martel.
        Red River Range. 1938. 56 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, Polly Moran, Lorna Gray.
        Mexicali Rose. 1939. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Luana Walters.
        The Night Riders. 1939. 58 minutos. Blanco y Negro. Republic. John Way ne, Ray Corrigan, Max Terhune, Doreen McKay, Ruth Rogers.
        Three Texas Steers. 1939. 59 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, Carole Landis.
        Wyoming Outlaw. 1939. 62 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Raymond Hatton, Adele Pearce.
        Colorado Sunset. 1939. 61 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey.
        New Frontier. 1939. 57 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Raymond Hatton, Phyllis Isley (Jennifer Jones).
        The Kansas Terrors. 1939. 57 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Jacqueline Wells (Julie Bishop).
        Rovin’ Tumbleweeds. 1939. 62 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Mary Carlisle.
        The Cowboys from Texas. 1939. 57 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Carole Landis.
        South of the Border. 1939. 71 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey, Lupita Tovar.
        Ghost Valley Raiders. 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Lona Andre, LeRoy Mason.
        Covered Wagon Days. 1940. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Kay Griffith, Ruth Robinson.
        Rocky Mountain Rangers. 1940. 58 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Rosella Towne.
        One Man’s Law. 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Janet Waldo, Dub Taylor.
        The Tulsa Kid. 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Luana Walters, Jimmy Wakely.
        Under Texas Skies. 1940. 57 minutos. Blanco y Negro. Republic. Robert Livingston, Bob Steele, Rufe Davis, Lois Ranson.
        Frontier Vengeance (co-d.: Nate Watt). 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Betty Moran.
        The Trail Blazers. 1940. 58 minutos. Blanco y Negro. Republic. Robert Livingston, Bob Steele, Rufe Davis, Pauline Moore.
        Texas Terrors. 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Julie Duncan, Al St. John.
        Lone Star Raiders. 1940. 57 minutos. Blanco y Negro. Republic. Robert Livingston, Bob Steele, Rufe Davis, June Johnson, Sarah Padden.
        Wyoming Wildcat. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Julie Duncan, Syd Taylor.
        The Phantom Cowboy. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Virginia Carroll, Rex Lease.
        Two Gun Sheriff. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.
        Desert Bandit. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.
        Kansas Cyclone. 1941. 58 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.
        The Apache Kid. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Al St.John.
        Death Valley Outlaws. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.
        A Missouri Outlaw. 1941. 58 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.
        Arizona Terror. 1942. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Al St.John.
        Stagecoach Express. 1942. 57 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Al St.John.
        Jesse James, Jr. 1942. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Al St. John.
        Cyclone Kid. 1942. 57 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Lloyd Andrews.
        The Sombrero Kid. 1942. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Lloyd Andrews.
        The West Side Kid. 1943. 58 minutos. Blanco y Negro. Republic. Don Ba rry, Dale Evans, Henry Hull.
        Renegades (Renegados). 1946. 88 minutos. Technicolor. Columbia. Eve lyn Keyes, Willard Parker, Larry Parks.
        Last of the Redmen. 1947. 77 minutos. Cinecolor. Key Pictures (Columbia). Jon Hall, Julie Bishop, Evelyn Ankers, Michael O’Shea.
        Relentless. 1948. 93 minutos. Technicolor. Cavalier Productions (Colum bia). Robert Young, Marguerite Chapman, Willard Parker, Akim Tamiroff.
        Black Bart (El enmascarado). 1948. 80 minutos. Technicolor. Universal. Yvonne De Carlo, Dan Duryea, Jeffrey Lynn.
        River Lady (Rio abajo). 1948. 78 minutos. Universal. Yvonne De Carlo, Dan Duryea, Rod Cameron, Helena Carter.
        Red Canyon (Huracan). 1949. 82 minutos. Technicolor. Universal. Ann Blyth, Howard Duff, George Brent.
        Calamity Jane and Sam Bass. 1949. 85 minutos. Technicolor. Universal. Yvonne De Carlo, Howard Duff, Dorothy Hart, Willard Parker.
        Comanche Territory (Orgullo de comanche). 1950. 76 minutos. Techni color. Universal. Maureen O’Hara, MacDonald Carey, Will Geer.
        Tomahawk (El piel roja). 1951. 82 minutos. Technicolor. Universal. Yvo n ne De Carlo, Van Heflin, Preston Foster, Rock Hudson.
        The Battle at Apache Pass. 1951. 85 minutos. Technicolor. Universal. John Lund, Jeff Chandler, Beverly Tyler, Susan Cabot.
        The Lone Hand. 1953. 80 minutos. Technicolor. Universal. Joel McCrea, Barbara Hale, Alex Nicol.
        War Arrow (Asalto al Fuerte Clark). 1954. 78 minutos. Technicolor. Uni versal. Jeff Chandler, Maureen O’Hara, John McIntire, Suzan Ball.
        Border River. 1954. 81 minutos. Technicolor. Universal. Joel McCrea, Yvon ne De Carlo, Pedro Armendariz.
        Dawn at Socorro. 1954. 80 minutos. Technicolor. Universal. Rory Calhoun, Piper Laurie, David Brian, Kathleen Hugues.
        Chief Crazy Horse (El gran jefe). 1955. 86 minutos. Technicolor. Cinema - Scope. Universal. Victor Mature, Suzan Ball, John Lund, Ray Danton.
        Count Three and Pray. 1955. 102 minutos. Technicolor. CinemaScope. Co pa Productions (Columbia). Van Heflin, Joanne Woodward, Phil Carey.
        The Treasure of Pancho Villa (El tesoro de Pancho Villa). 1955. 96 min. Technicolor. Superscope. RKO. Rory Calhoun, S. Winters, Gilbert Roland.
        Comanche (Duelo de razas). 1956. 87 minutos. Color DeLuxe. Cinema Sco pe. UA. Dana Andrews, Kent Smith, John Litel, Linda Cristal.
        Reprisal! 1956. 74 minutos. Technicolor. Lewis J. Rachmil (Columbia). Guy Madison, Felicia Farr, Kathryn Grant.
        The Hard Man. 1957. 80 minutos. Technicolor. Romson (Columbia). Guy Madison, Valerie French, Lorne Greene.
        The Last of the Fast Guns. 1958. 82 minutos. Eastmancolor. CinemaScope. Universal. Jock Mahoney, Eduard Franz, Gilbert Roland, Linda Cristal.
        Ten Days to Tulara. 1958. 77 minutos. Blanco y Negro. UA. Sterling Hay den, Grace Raynor.
        Hell Bent for Leather. 1960. 82 minutos. Eastmancolor. Panavision. Uni versal. Audie Murphy, Stephen McNally, Felicia Farr.
        For the Love of Mike. 1960. 87 minutos. Color DeLuxe. CinemaScope. Fox. Richard Basehart, Stuart Edwin, Elsa Cardenas.
        Joaquin Murrieta. 1965. 108 minutos. Eastmancolor. Pro-Artis Iberica. Jeffrey Hunter, Arthur Kennedy, Sara Lezana, Diana Lorys.
        Smoky. 1966. 103 minutos. Color DeLuxe. Fox. Fess Parker, Katy Jurado, Diana Hyland.
        Big Jake (El gran Jack). 1971. 110 minutos. Technicolor. Panavision. Natio nal General. John Wayne, Richard Boone, Maureen O’Hara.

    English-Spanish dictionary of western films > Sherman, George

  • 10 CULTURE, LITERATURE, AND LANGUAGE

       ■ Bell, Aubrey F. G. The Oxford Book of Portuguese Verse: XIIth Century-XXth Century. Oxford: Oxford University Press, 1925, 1952 (2nd edition, B. Vi-digal, ed.).
       ■. Portuguese Literature. Oxford: Oxford University Press, 1922, 1970 (2nd edition, B. Vidigal, ed.).
       ■ Bleiberg, German, Maureen Ihrie, and Janet Pérez, eds. Dictionary of the Literature of the Iberian Peninsula, 2 vols. Westport, Conn.: Greenwood, 1993.
       ■ Castro, Francisco Lyon de, ed. História da literatura portuguesa, 7 vols. Lisbon: Alfa, 2001-02.
       ■ Cidade, Hernani. Lições de Cultura e Literatura Portuguesa, 3 vols. Lisbon, 1960-62.
       ■ Cook, Manuela. Portuguese: A Complete Course for Beginners. London: Hodder and Stoughton, 1996. Figueiredo, Fidelino. História literária de Portugal. Coimbra, 1944. Gentile, Georges Le. La Littérature Portugaise. Rev. ed. Paris, 1951. Kunoff, Hugo. Portuguese Literature from Its Origins to 1990: A Bibliography Based on the Collections at Indiana University. Metuchen, N.J.: Scarecrow Press, 1994.
       ■ Longland, Jean. Contemporary Portuguese Poetry. A Bilingual Selection. Irvington-on-Hudson: Harvey House, 1966. Prado Coelho, Jacinto do. Dicionário das Literaturas Portuguesas, Galega e Brasileira, 3rd ed. Oporto, 1978. Rossi, Giuseppe C. Storia della letteratura portoghesa. Florence, 1953.
       ■ Santos, João Camilo dos. "Portuguese Contemporary Literature." In Antônio Costa Pinto, ed., Modern Portugal, 218-42. Palo Alto, Calif.: SPOSS, 1998.
       ■ Saraiva, Antônio José. História da cultura em Portugal, 3 vols. Lisbon, 1950-60.
       ■. História da Literatura Portuguesa. Lisbon, 1990 ed.
       ■, and Oscar Lopes. História da Literatura Portuguesa. Oporto and Coimbra, 1992 ed.
       ■ Seguier, Jaime de, ed. Dicionário Prático Ilustrado. Oporto: Lello, 1961 and later eds.
       ■ Simões, João Gaspar. História da poesia portuguesa, 2 vols. Lisbon, 1955-56 and later eds.
       ■. História da poesia portuguesa do século XX. Lisbon, 1959 and later eds.
       ■ Stern, Irwin, ed.-in-chief. Dictionary of Brazilian Literature. Westport, Conn.: Greenwood, 1988.
       ■ TRAVEL AND TOURIST GUIDES ON PORTUGAL
       ■ Adragão, José Victor. The Algarve: The Land, the Sea and Its People. Lisbon, 1988.
       ■ Ballard, Sam, and Jane Ballard. Pousadas of Portugal: Unique Lodgings in State-owned Castles, Palaces, Mansions and Hotels. Boston: Harvard Common, 1986.
       ■ Bridge, Ann, and Susan Lowndes Marques. The Selective Traveller in Portugal. London: Chatto & Windus, 1968.
       ■ Ellingham, Mark, et al. Portugal: The Rough Guide. London: Rough Guides, 2008 ed.
       ■ Hogg, Anthony. Travellers' Portugal. London: Solo Mio, 1983.
       ■ Kite, Cynthia, and Ralph Kite. Portuguese Country Inns & Pousadas. New York: Warner Books; Karen Brown's Country Inn Series, 1988.
       ■ Lowndes, Susan, ed. Fodor's Portugal 1991. New York: Fodor's, 1990.
       ■ Proença Raúl, and Sant'anna Dionísio, eds. Guía De Portugal. I. Generalidades. Lisboa E, Arredores. Lisbon: Fundação Calouste Gulbenkian, 1924; 1983.
       ■ Robertson, Ian. Portugal: Blue Guide. London: Benn; New York: Norton, 2000 and later eds.
       ■ Stoop, Anne de. Living in Portugal. Paris and New York: Flammarion, 1995. Wright, David, and Patrick Swift. Minho and North Portugal: A Portrait and Guide. New York: Scribners, 1968.
       ■. Lisbon: A Portrait and Guide. New York: Scribners, 1971.
       ■. Algarve: A Portrait and Guide. New York: Scribners, 1973.
       ■ HISTORY OF PORTUGAL Ancient and Medieval (2000 BCE-1415 CE)
       ■ Alarção, Jorge de. Roman Portugal. Volume I: Introduction. Warminster, U.K., 1988.
       ■ Almeida, Fortunato de. História de Portugal. Vol. I. Coimbra, 1922. Arnaut, Salvador Dias. A Crise Nacional dos fins do século XVI. Vol. 1. Coimbra, 1960.
       ■ Baião, Antônio, Hernani Cidade, and Manuel Múrias, eds. História de Expansão Portuguesa no Mundo, 3 vols. Lisbon, 1937-40. Caetano, Marcello. Lições de História do Direito Português. Coimbra, 1962. Cortesão, Jaime. Os Factores Democráticos no Formação de Portugal. Lisbon, 1960.
       ■ Dias, Eduardo Mayone. Portugal's Secret Jews: The End of an Era. Rumford, R.I.: Peregrinação Publications, 1999. Diffie, Bailey W. Prelude to Empire: Portugal Overseas before Henry the Navigator. Lincoln: University of Nebraska Press, 1960. Dutra, Francis A. "Portugal: To 1279." Dictionary of the Middle Ages. Vol. X: 35-48. New York: Scribners, 1987.
       ■. "Portugal: 1279-1481." Dictionary of the Middle Ages. Vol. X: 48-56. New York: Scribners, 1987. Gama Barros, Henrique de. História de Administração Pública em Portugal nos séculos XII à XV, 11 vols. Lisbon, 1945-51. Godinho, Vitorino Magalhães. A Economia dos Descobrimentos Henriquinos. Lisbon, 1962.
       ■ Gonzaga de Azevedo, Luís. História de Portugal, 6 vols. Lisbon, 1939-44.
       ■ Herculano, Alexandre. História de Portugal, 8 vols., 9th ed. Lisbon, 1940.
       ■ Kennedy, Hugh. Muslim Spain and Portugal: A Political History of al-Anda-lus. London: Longman, 1996.
       ■ Lencastre e Tavora, Luía Gonzaga. O Estudo da Sigilografia Medieval Portuguesa. Lisbon, 1990.
       ■ Livermore, H. V. The Origins of Spain and Portugal. London: Allen & Unwin, 1971.
       ■ Lopes, David. "Os Árabes nas obras de Alexandre Herculano." Boletim da Segunda Classe. Lisbon: Academia Real das Sciéncias, III (1909-10). MacKendrick, Paul. The Iberian Stones Speak. New York: Funk & Wagnalls, 1969.
       ■ Martinez, Pedro Soares. História Diplomática De Portugal [chapter I, 114315]. Lisbon, 1986.
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       ■, et al. As Eleições para assembleia da república, 1979-1983: Estudos de geografia eleitoral. Lisbon, 1984. Gaspar, Jorge, and Nuno Vitorino, eds. Portugal em mapas e em números. Lisbon, 1981.
       ■ Giaccone, Fausto. Una Storia Portoghese/ Uma História Portuguesa. Palermo: Randazzo Focus, 1987.
       ■ Gladdish, Ken. "Portugal: An Open Verdict." In Geoffrey Pridham, ed. Securing Democracy: Political Parties and Democratic Consolidation in Southern Europe, 104-25. London and New York: Routledge, 1990.
       ■ Graham, Lawrence S. The Decline and Collapse of an Authoritarian Order. Beverly Hills, Calif.: Sage, 1975.
       ■, and Harry M. Makler, eds. Contemporary Portugal: The Revolution and Its Antecedents. Austin: University of Texas Press, 1979.
       ■, and Douglas L. Wheeler, eds. In Search of Modern Portugal: The Revolution and Its Consequences. Madison: University of Wisconsin Press, 1983.
       ■ Grayson, George W. "Portugal and the Armed Forces Movement." Orbis XIX, 2 (Summer 1975): 335-78.
       ■ Green, Gil. Portugal's Revolution. New York: International, 1976.
       ■ Hammond, John L. Building Popular Power: Workers' and Neighborhood Movements in the Portuguese Revolution. New York: Monthly Review Press, 1988.
       ■ Harsgor, Michael. Naissance d'un Nouveau Portugal. Paris: Ed. du Seuil, 1975.
       ■. Portugal in Revolution. Washington, D.C.: CSIS and Sage, 1976.
       ■ Harvey, Robert. Portugal, Birth of a Democracy. London: Macmillan, 1978.
       ■ Herr, Richard, ed. Portugal: The Long Road to Democracy and Europe. Berkeley, Calif.: International and Area Studies, 1992.
       ■ Insight Team of the Sunday [London] Times. Insight on Portugal: The Year of the Captains. London: Deutsch, 1975.
       ■ Janitschek, Hans. Mario Soares: Portrait of a Hero. London: Weidenfeld & Nicolson, 1985.
       ■ Keefe, Eugene K., et al. Area Handbook for Portugal, 1st ed. Washington, D.C.: Foreign Area Studies of American University, 1977. Kramer, Jane. "A Reporter at Large: The Portuguese Revolution." The New Yorker (Dec. 15, 1975): 92-131.
       ■ Lauré, Jason, and Ettagal Lauré. Jovem Portugal: After the Revolution. New York: Straus, Farrar and Giroux, 1977.
       ■ Livermore, H. V. A New History of Portugal. Cambridge: Cambridge University Press, 1976.
       ■ Lourenço, Eduardo. Os Militares e O Poder. Lisbon, 1975.
       ■. O Fascismo Nunca Existiu. Lisbon, 1976.
       ■. "Identidade e Memôria: o caso português." In E. de Sousa Ferreira and W. C. Opello, Jr., eds., Conflict and Change in Portugal, 1974-l 984, 17-22. Lisbon, 1985.
       ■. "A herança de duas revoluções." In M. Baptista Coelho, ed., Portugal: O Sistema Político e Constitucional, 1974-87, 505-55. Lisbon, 1989.
       ■ Macedo, Jorge Braga de, and S. Serfaty. Portugal since the Revolution: Economic and Political Perspectives. New York: Praeger, 1981.
       ■ Magone, José M. European Portugal: The Difficult Road to Sustainable Democracy. New York: St. Martin's, 1997. Mailer, Phil. Portugal: The Impossible Revolution. London: Solidarity, 1977. Manta, João Abel. Cartoons/ 1969-1975. Lisbon, 1975.
       ■ Manuel, Paul C. Uncertain Outcome: The Politics of Portugal's Transition to Democracy. Lanham, Md. and London: University Press of America, 1994.
       ■ Mateus, Rui. Contos Proibidos. Memorias de Um PS Desconhecido, 3rd ed. Lisbon: Dom Quixote, 1996.
       ■ Maxwell, Kenneth. "Portugal under Pressure." The New York Review of Books (May 2, 1974).
       ■. "The Hidden Revolution in Portugal." The New York Review of Books (April 17, 1975).
       ■. "The Thorns of the Portuguese Revolution." Foreign Affairs 54, 2 (Jan. 1976): 250-70.
       ■. "The Communists and the Portuguese Revolution." Dissent 27, 2 (Spring 1980): 194-206.
       ■. Portugal in the 1980s: Dilemmas of Democratic Consolidation. Westport, Conn.: Greenwood, 1986.
       ■. The Making of Portuguese Democracy. Cambridge: Cambridge University Press, 1995.
       ■, ed. "Portugal: Toward the Twenty-First Century." Camoes Center Quarterly 5, 3-4 (Fall 1995): 6-55.
       ■, ed. The Press and the Rebirth of Iberian Democracy. Westport, Conn.: Greenwood, 1983.
       ■. Portugal Ten Years after the Revolution: Reports of Three Columbia University-Gulbenkian Workshops. New York: Research Institute on International Change, Columbia University, 1984.
       ■ Maxwell, Kenneth, and Michael H. Haltzel, eds. Portugal: Ancient Country, Young Democracy. Washington, D.C.: Wilson Center Press, 1990.
       ■ Medeiros Ferreira, José. Ensaio Histórico sobre a revolução do 25 de Abril. Lisbon, 1983.
       ■ Medina, João, ed. Portugal De Abril: Do 25 Aos Nossos Dias. In Medina, ed., História Contemporãnea De Portugal. Lisbon, 1985. Merten, Peter. Anarchismus ünd Arbeiterkãmpf in Portugal. Hamburg: Libertare, 1981.
       ■ Miranda, Jorge. Constituição e Democracia. Lisbon, 1976.
       ■. A Constituição de 1976. Lisbon, 1978.
       ■ Morrison, Rodney J. Portugal: Revolutionary Change in an Open Economy. Boston: Auburn House, 1981.
       ■ Mujal-Leôn, Eusebio. "The PCP [Portuguese Communist Party] and the Portuguese Revolution." Problems of Communism 26 (Jan.- Feb. 1977): 21-41.
       ■ Neves, Mário. Missão em Moscovo. Lisbon, 1986.
       ■ Oliveira, César. M. F. A. e Revolução Socialista. Lisbon, 1975.
       ■. Os Anos Decisivos: Portugal 1962-1985. Um testemunho. Lisbon: Presença, 1993.
       ■ Opello, Waiter C., Jr. Portugal's Political Development: A Comparative Approach. Boulder, Colo.: Westview, 1985.
       ■. Portugal: From Monarchy to Pluralist Democracy. Boulder, Colo.: Westview, 1991.
       ■ Pell, Senator Claiborne H. Portugal ( Including the Azores and Spain) in Search of New Directions: Report to the Committee on Foreign Relations, U.S. Senate. Washington, D.C.: Government Printing Office, 1976.
       ■ Pereira, J. Pacheco. "A Case of Orthodoxy: The Communist Party of Portugal." In Waller and Fenema, eds., Communist Parties in Western Europe: Adaptation or Decline? Oxford: Basil Blackwell, 1988.
       ■ Pilmott, Ben. "Socialism in Portugal: Was It a Revolution?" Government and Opposition 7 (Summer 1977).
       ■. "Were the Soldiers Revolutionary? The Armed Forces Movement in Portugal, 1973-1976." Iberian Studies 7, 1 (1978): 13-21.
       ■, and Jean Seaton. "Political Power and the Portuguese Media." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 43-57. Madison: University of Wisconsin Press, 1983.
       ■ Porch, Douglas. The Portuguese Armed Forces and the Revolution. London: Croom Helm and Stanford, Calif.: Hoover Institution Press, 1977.
       ■ Pouchin, Dominique. Portugal, quelle révolution? Paris, 1976.
       ■ Pulido Valente, Vasco. "E Viva Otelo." In Pulido Valente, V., ed., O País das Maravilhas, 451-54. Lisbon, 1979 [anthology of articles from weekly Lisbon paper, Expresso].
       ■. Estudos Sobre a Crise Nacional. Lisbon, 1980.
       ■ Rebelo de Sousa, Marcelo. O Sistema de Governo Português antes e depois da Revisão Constitucional, 3rd ed. Lisbon, 1981. Rêgo, Raúl. Militares, Clérigos e Paisanos. Lisbon, 1981. Robinson, Richard A. H. Contemporary Portugal: A History. London: Allen & Unwin, 1979.
       ■ Rodrigues, Avelino, Cesário Borga, and Mário Cardoso. O Movemento dos Capitães e o 25 de Abril. Lisbon, 1974.
       ■. Portugal Depois De Abril. Lisbon, 1976.
       ■ Ruas, H. B., ed. A Revolução das Flores. Lisbon, 1975.
       ■ Rudel, Christian. La Liberte couleur d'oeillet. Paris: Fayard, 1980.
       ■ Sa, Tiago Moreira de. Os Americanos na Revolucao Portuguesa ( 1974-1976). Lisbon: Edit. Noticias, 2004.
       ■ Sá Carneiro, Francisco. Por Uma Social-Democracia Portuguesa. Lisbon, 1975.
       ■ Sanches Osôrio, Helena. Um Só Rosto. Uma Só Fé. Conversas Com Adelino Da Palma Carlos. Lisbon, 1988. Sanches Osôrio, J. The Betrayal of the 25th of April in Portugal. Madrid: Sedmay, 1975.
       ■ Schmitter, Philippe C. "Liberation by Golpe: Retrospective Thoughts on the Demise of Authoritarian Rule in Portugal." Armed Forces and Society 2 (1974): 5-33.
       ■. "An Introduction to Southern European Transitions from Authoritarian Rule: Italy, Greece, Portugal, Spain and Turkey." In G. O'Donnell,
       ■ P. C. Schmitter, and L. Whitehead, eds., Transitions from Authoritarian Rule, 3-10. Baltimore, Md.: Johns Hopkins University Press, 1986.
       ■ Silva, Fernando Dioga da. "Uma Administração Envelhecido." Revista da Ad-ministraçao Pública 2 (Oct.-Dec. 1979).
       ■ Simões, Martinho, ed. Relatório Do 25 De Novembro: Texto Integral, 2 vols. Lisbon, 1976.
       ■ Soares, Isabel, ed. Mário Soares: O homem e o político. Lisbon, 1976. Soares, Mário. Democratização e Descolonização: Dez meses no Governo Provisório. Lisbon, 1975. Sobel, Lester A., ed. Portuguese Revolution, 1974-1976. New York: Facts on File, Inc., 1976.
       ■ Spínola, Antônio de. Portugal e o Futuro. Lisbon, 1974.
       ■ Stock, Maria José. Os Partidos do Poder: Dez Anos Depois do " 25 De Abril." Evora, 1986.
       ■ Story, Jonathan. "Portugal's Revolution of Carnations: Patterns of Change and Continuity." International Affairs 52 (July 1976): 417-34. Sweezey, Paul. "Class Struggles in Portugal." Monthly Review 27, 4 (Sept. 1975): 1-26.
       ■ Szulc, Tad. "Lisbon and Washington: Behind Portugal's Revolution." Foreign Policy 21 (Winter 1975-76): 3-62. Tavares de Almeida, Antônio. Balsemão: O retrato. Lisbon, 1981. "Vasco." Desenhos Políticos. Lisbon, 1974.
       ■ Vasconcelos, Alvaro. "Portugal in Atlantic-Mediterranean Security." In Douglas T. Stuart, ed., Politics and Security in the Southern Region of the Atlantic Alliance, 117-36. London: Macmillan, 1988.
       ■ Wheeler, Douglas L. "Golpes militares e golpes literários. A literatura do golpe de 25 de Abril de 1974 em contexto histôrico." Penélope. Fazer E Desfazer A História, 19-20 (1998): 191-212.
       ■. "Tributo ao Historiador dos Historiadores. Memorias de A.H.de Oliveira Marques (1933-2007)," Historia XXIX, 95, III series (March 2007), 18-22.
       ■ Wiarda, Howard J. Transcending Corporatism? The Portuguese Corporative System and the Revolution of 1974. Columbia: Institute of International Studies, University of South Carolina, 1976.
       ■. The Transition to Democracy in Spain and Portugal. Washington, D.C.: American Enterprise Institute for Public Policy Research, 1989. Wise, Audrey. Eyewitness in Revolutionary Portugal. With a Preface by Judith Hart, MP. London: Spokesman, 1975.
       ■ PHYSICAL FEATURES: GEOGRAPHY, GEOLOGY, FAUNA, AND FLORA
       ■ Birot, Pierre. Le Portugal: Étude de géographie régionale. Paris, 1950.
       ■ Embleton, Clifford. Geomorphology of Europe. London: Macmillan, 1984.
       ■ Girão, Aristides de Amorim. Divisão regional, divisão agrícola e divisão administrativa. Coimbra, 1932.
       ■. Atlas de Portugal, 2nd ed. Coimbra, 1958.
       ■ Ribeiro, Orlando. Portugal, O Mediterrâneo e o Altântico. Coimbra, 1945 and later eds.
       ■. Portugal. Volume V of Geografia de Espana y Portugal. Barcelona, 1955.
       ■. Ensaios de Geografia Humana e regio nal. Lisbon, 1970.
       ■ Stanislawski, Dan. The Individuality of Portugal. Austin: The University of Texas Press, 1959.
       ■. Portugal's Other Kingdom: The Algarve. Austin: University of Texas Press, 1963.
       ■ Taylor, Albert William. Wild Flowers of Spain and Portugal. London: Chatto & Windus, 1972.
       ■ Way, Ruth, and Margaret Simmons. A Geography of Spain and Portugal. London: Methuen, 1962.
       ■ ARCHAEOLOGY AND PREHISTORY
       ■ "Actas do Colóquio Inter-Universitário do Noroeste Peninsular (Porto-Baião, 1988), vol. II, Proto-História, romanização e Idade Média." In Trabalhos de antropologia e etnologia. 28, 3-4 (1988).
       ■ Alarcão, Jorge de, ed. "Do Paleolítico va arte visigótica." Vol. 1, História da
       ■ Arte em Portugal. Lisbon: Alfa, 1986.
       ■. Roman Portugal, 3 vols. Warminister, U.K.: Aris & Phillips, 1988.
       ■. Portugal Das Orígens A Romanização. Vol. I. In J. Serrão and A. H. de Oliveira Marques, eds. Nova História de Portugal. Lisbon: Presença, 1990. Anderson, James M., and M. S. Lea. Portugal 1001 Sights: An Archaeological and Historical Guide. Calgary, Alberta: University of Calgary and Robert Hale, 1994.
       ■ Balmuth, Miriam S., Antonio Gilman, and Lourdes Prados-Torreira, eds. Encounters and Transformations: The Archaeology of Iberia in Transition. Monographs in Mediterranean Archaeology, no. 7. Sheffield, U.K.: Sheffield Academic Press, 1997.
       ■ Beirão, C. M. M. Une civilization protohistorique du Sud au Portugal ( 1er Age du Fer). Paris: D. Boccard, 1986.
       ■ Cardoso, João Luís, Santinho A. Cunha, and Delberto Aguiar. O Homem Pre-Histórico no Concelho de Oeiras. Oeiras, Portugal: Estudos Arquelógicos de Oeiras, 1991.
       ■ Harrison, Richard J. The Bell Beaker Cultures of Spain and Portugal. Cambridge, Mass.: Harvard University Press, 1977.
       ■ Mangas, Júlio, ed. Hispania epigraphica. Madrid, 1989.
       ■ Maloney, Stephanie J. "The Villa of Toerre de Palma, Portugal: Archaeology and Preservation." Portuguese Studies Review VIII, 1 (Fall-Winter, 1999-2000): 14-28.
       ■ Savory, H. N. Spain and Portugal: The Prehistory of the Iberian Peninsula. London, 1968.
       ■ Silva, A. C. F. A cultura castreja no Noroeste de Portugal. Paços de Ferreira:
       ■ Museu da Citânia de Sanfins, 1986. Straus, L. G. Iberia before the Iberians. Albuquerque, N.M., 1992.
       ■ FOREIGN TRAVELERS AND RESIDENTS' ACCOUNTS
       ■ Andersen, Hans Christian. A Visit to Portugal 1866. London: Peter Owen, 1972.
       ■ Beckford, William. Italy, with Sketches of Spain and Portugal. Paris: Baudry's European Library, 1834.
       ■ Boyd Alexander, ed. London: Hart-Davies, 1954.
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       ■ Bell, Aubrey F. G. In Portugal. London: Bodley Head, 1912.
       ■ Borrow, George. The Bible in Spain, 2 vols. London: Constable, 1923 ed.
       ■ Chaves, Castelo Branco. Os livros de viagens em Portugal no século XVIII e a sua projecção europeia. Lisbon, 1977.
       ■ Costigan, Arthur William. Sketches of Society and Manners in Portugal. London: T. Vernon, 1787.
       ■ Crawfurd, Oswald. Portugal Old and New. London: Kegan, Paul, 1880.
       ■. Round the Calendar in Portugal. London: Chapman & Hall, 1890.
       ■ Darymple, William. Travels through Spain and Portugal in 1774. London: J. Almon, 1777.
       ■ Dumouriez, Charles Francois Duperrier. An Account of Portugal as It Appeared in 1766. London: C. Law, 1797.
       ■ Fielding, Henry. Jonathan Wild and the Journal of a Voyage to Lisbon. London: J. M. Dent, 1932.
       ■ Fullerton, Alice. To Portugal for Pleasure. London: Grafton, 1945.
       ■ Gibbons, John. I Gathered No Moss. London: Robert Hale, 1939.
       ■ Gordon, Jan, and Cora Gordon. Portuguese Somersault. London: Harrap, 1934.
       ■ Hewitt, Richard. A Cottage in Portugal. New York: Simon & Schuster, 1996.
       ■ Huggett, Frank. South of Lisbon: Winter Travels in Southern Portugal. London: Gollancz, 1960.
       ■ Hume, Martin. Through Portugal. London: Richards, 1907.
       ■ Hyland, Paul. Backwards Out of the Big World: A Voyage into Portugal. Hammersmith, U.K.: HarperCollins, 1996.
       ■ Jackson, Catherine Charlotte, Lady. Fair Lusitania. London: Bentley, 1874.
       ■ Kelly, Marie Node. This Delicious Land Portugal. London: Hutchinson, 1956.
       ■ Kempner, Mary Jean. Invitation to Portugal. New York: Athenaeum, 1969.
       ■ Kingston, William H. G. Lusitanian Sketches of the Pen and Pencil. 2 vol. London: Parker, 1845.
       ■ Landmann, George. Historical, Military and Picturesque Observations on Portugal. 2 vol. London: Cadell and Davies, 1818.
       ■ Latouche, John [Pseudonym of Oswald Crawfurd]. Travels in Portugal. London: Ward, Lock & Taylor, ca. 1874.
       ■ Link, Henry Frederick. Travels in Portugal and France and Spain. London: Longman & Rees, 1801.
       ■ Macauley, Rose. They Went to Portugal. London: Jonathan Cape, 1946.
       ■. They Went to Portugal, Too. Manchester: Carcanet Books, 1990.
       ■ Merle, Iris. Portuguese Panorama. London: Ouzel, 1958.
       ■ Murphy, J. C. Travels in Portugal. London: 1795.
       ■ Proper, Datus C. The Last Old Place: A Search through Portugal. New York: Simon & Schuster, 1992.
       ■ Quillinan, Dorothy [Wordsworth]. Journal of a Few Months in Portugal with Glimpses of the South of Spain. 2 vol. London: Moxon, 1847. Sitwell, Sacheverell. Portugal and Madeira. London: Batsford, 1954. Smith, Karine R. Until Tomorrow: Azores and Portugal. Snohomish, Wash.: Snohomish Publishing, 1978. Southey, Robert. Journals of a Residence in Portugal, 1800-1801 and a Visit to France, 1838. London and New York: Oxford Univ. Press, 1912. Thomas, Gordon Kent. Lord Byron's Iberian Pilgrimage. Provo, Utah: Brigham Young University Press, 1983. Twiss, Richard. Travels through Portugal and Spain in 1772-1773. London, 1775.
       ■ Watson, Gilbert. Sunshine and Sentiment in Portugal. London: Arnold, 1904. Wheeler, Douglas L. "A[n American] Fulbrighter in Lisbon, Portugal, 196162." Portuguese Studies Review 1 (1991): 9-16.
       ■ PORTUGUESE CARTOGRAPHY, DISCOVERIES, AND NAVIGATION
       ■ Albuquerque, Luís de. Curso de História de Naútica. Coimbra, 1972.
       ■. Introdução a história dos descobrimentos, 3rd ed. Mem Martins, 1983.
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       ■. Os Descobrimentos Portugueses. Lisbon, 1985.
       ■ Boorstin, Daniel. The Discoverers. New York: Random House, 1983. Boxer, C. R. The Portuguese Seaborne Empire, 1415-1825. London: Hutchinson, 1969.
       ■ Brazão, Eduardo. La découverte de Terre-Neuve. Montreal: Les Presses de l'Université, 1964.
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       ■. Portugalia Monumenta Cartográfica, 6 vols. Lisbon, 1960-62.
       ■. História da Cartografia Portuguesa, 2 vols. Coimbra, 1969-70.
       ■ Cortesão, Jaime. L'expansion des portugais dans l'historie de la civilisation. Brussels, 1930.
       ■. Os descobrimentos portugueses, 2 vols. V. Magalhães Godinho and Joel Serrão, eds. Lisbon, 1960.
       ■ Costa, Abel Fontoura da. A Marinharia dos Descobrimentos, 3rd ed. Lisbon, 1960.
       ■ Costa Brochado, Idalino F. Descobrimento do Atlântico. Lisbon, 1958. English ed., 1959-60.
       ■ Coutinho, Admiral Gago. A naútica dos descobrimentos, 2 vols. Lisbon, 1951-52.
       ■ Crone, G. R. Maps and Their Makers. New York: Capricorn Books, 1966.
       ■ Dias, José S. da Silva. Os descobrimentos e a problemática cultural do Século XVI, 2nd ed. Lisbon, 1982.
       ■ Disney, Anthony, and Emily Booth, eds. Vasco Da Gama and the Linking of Europe and Asia. New Delhi: Oxford University Press, 2000.
       ■ Godinho, Vitorino Magalhães, ed. Documentos sobre a expansão portuguesa [ to 1460], 3 vols. Lisbon, 1945-54.
       ■ Guedes, Max, and Gerald Lombardi, eds. Portugal. Brazil: The Age of Atlantic Discoveries. Lisbon: Bertrand; Milan: Ricci; Brazilian Culture Foundation, 1990. [Catalogue of New York Public Library Exhibit, Summer 1990]
       ■ Harley, J. B., and David Woodward. The History of Cartography. Volume 1: Cartography in Prehistoric, Ancient and Medieval Europe and Mediterranean. Chicago: University of Chicago Press, 1987.
       ■ Leite, Duarte. História dos Descobrimentos: Colectânea de esparsos, 2 vols. Lisbon, 1958-61.
       ■ Ley, Charles. Portuguese Voyages, 1498-1663. London: Dent, 1953.
       ■ Marques, J. Martins da Silva. Descobrimentos portugueses, 2 vols. Lisbon, 1944-71.
       ■ Martyn, John R. C., ed. Pedro Nunes ( 1502-1578): His Lost Algebra and Other Discoveries. John R. C. Martyn, trans. New York: Peter Lang, 1996.
       ■ Morison, Samuel Eliot. The European Discovery of America: The Northern Voyages, A. D. 500-1600. New York: Oxford University Press, 1971.
       ■. Portuguese Voyages to America in the Fifteenth Century. Cambridge: Harvard University Press, 1974.
       ■ Mota, Avelino Teixeira da. Mar, Além-Mar-Estudos e Ensaios de História e Geografia. Lisbon, 1972.
       ■ Nemésio, Vitorino. Vida e Obra do Infante D. Henrique. Lisbon, 1959.
       ■ Parry, J. H. The Discovery of the Sea. New York: Dial, 1974.
       ■ Penrose, Boies. Travel and Discovery in the Renaissance, 1420-1620. Cambridge, Mass.: Harvard University Press, 1952.
       ■ Peres, Damião. História dos Descobrimentos Portugueses. Oporto, 1943.
       ■ Prestage, Edgar. The Portuguese Pioneers. London, 1933; New York: Barnes & Noble, 1967.
       ■ Rogers, Francis M. Precision Astrolabe: Portuguese Navigators and Transoceanic Aviation. Lisbon, 1971.
       ■ Seary, E. R. "The Portuguese Element in the Place Names of Newfoundland." In Luís Albuquerque, ed., Vice-Almirante A. Teixeira da Mota: In Memo-riam. Vol. II, 359-64. Lisbon: Academia da Marinha, 1989.
       ■ Subrahmanyam, Sanjay. The Career and Legend of Vasco Da Gama. Cambridge: Cambridge University Press, 1997.
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       ■ Winius, George, ed. Portugal, the Pathfinder: Journeys from the Medieval toward the Modern World 1300-ca. 1600. Madison, Wisc.: Hispanic Seminary of Medieval Studies, 1995.
       ■ PORTUGAL AND HER OVERSEAS EMPIRES (1415-1975)
       ■ Abshire, David M., and Michael A. Samuels, eds. Portuguese Africa: A Handbook. New York: Praeger, 1969.
       ■ Afonso, Aniceto, and Carlos de Matos Gomes. Guerra Colonial. Lisbon: Noticias, 2001.
       ■ Albuquerque, J. Moushino de. Moçambique. Lisbon, 1898.
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       ■ Alexandre, Valentim. Orígens do Colonialismo Português Moderno ( 18221891). Lisbon: Sá da Costa, 1979.
       ■. Velho Brasil, Novas Africas: Portugal e o Império ( 1808-1975). Oporto: Afrontamento, 2000.
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       ■ Serrão and A. H. de Oliveira Marques, eds., Nova História Da Expansão Portuguesa. Lisbon: Estampa, 1998.
       ■ Ames, Glen J. "The Carreira da India, 1668-1682: Maritime Enterprise and the Quest for Stability in Portugal's Asian Empire." Journal of European Economic History 20, 1 (1991): 7-28.
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       ■ Antunes, José Freire. O Império com Pés de Barro: Colonizaçao e Descolonização: As Ideologias em Portugal. Lisbon: D. Quixote, 1980.
       ■. O Factor Africano 1890-1990. Lisbon: Bertrand, 1990.
       ■. A Guerra De Africa 1961-1974, 2 vols. Lisbon: Círculo de Leitores, 1995-96.
       ■. Jorge Jardim: Agente Secreto 1919-1982. Lisbon: Bertrand, 1996.
       ■ Axelson, Eric A. South-East Africa, 1488-1530. London: Longmans, 1940.
       ■. "Prince Henry and the Discovery of the Sea Route to India." Geographical Journal (U.K.) 127, 2 (June 1961): 145-58.
       ■. Portugal and the Scramble for Africa, 1875-1891. Johannesburg: Witwaterstrand University Press, 1967.
       ■. Portuguese in South-East Africa, 1488-1699. Cape Town: Struik, 1973.
       ■. Congo to Cape: Early Portuguese Explorers. New York: Harper & Row, 1974.
       ■ Azevedo, Mário. Historical Dictionary of Mozambique, 2nd ed. Lanham, Md.: Scarecrow Press, 2003.
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       ■ Bender, Gerald J. "The Limits of Counterinsurgency [in the Angolan War, 1961-72]." Comparative Politics (1972): 331-60.
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       ■ ANTHROPOLOGY, SOCIOLOGY, RURAL AND URBAN SOCIETY
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       ■ ARTS, ARCHITECTURE, URBAN PLANNING, MUSIC
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       ■. 100 Pintores Portugueses do século XX. Lisbon: Alfa, 1986.
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       ■. Studies in Ancient American and European Art: The Collected Essays of George Kubler. New Haven, Conn.: Yale University Press, 1985.
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       ■ Leão, Joaquim de Sousa. "Decorative Art: The Azulejo." In H. V. Livermore, ed. Portugal and Brazil: An Introduction. Oxford: Oxford University Press, 1953.
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       ■ Veiga de Oliveira, Ernesto. Instrumentos musicais populares portugueses. Lisbon, 1982.
       ■ Watson, Walter Crum. Portuguese Architecture. London: Constable, 1908. Wohl, Hellmut. "Carlos Mardel and His Lisbon Architecture." Apollo 97, 134 (April 1973): 350-59.
       ■ Andrade, Sergio de. "Presepios." In Dicionario de Arte Barroca em Portugal. Lisbon: Presenca, 1989. Barreira, Joao. Arte Portuguesa, Arquitectura e Escultura. Lisbon: Excelsior, n.d.
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       ■ Smith, Robert C. The Art Of Portugal 1500-1800. New York: Meredith Press, 1968.
       ■ Sousa, Ernesto de. Presepios. Lisbon: Bertrand, 1998.
       ■ Cinema
       ■ Antunes, Joao and Jose de Matos-Cruz, Cinema Portugues 1896-1998. Lisbon: Lusomundo, 1997.
       ■ Bandeira, Jose Gomes. Porto: 100 anos de cinema portugues. Oporto: Camara Municipal do Porto, 1996. Duarte, Fernando. Primitivos do Cinema Portugues. Lisbon: Cinecultura, 1960.
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       ■ Letria, José Jorge. Do sentimento mágico da vida. Lisbon: Escritor, 1994. Müller, Adolfo Simões. Historiazinha de Portugal, 6th ed. Oporto: Tavares Martins, 1983.
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       ■ Pires, Maria Laura Bettencourt. História da literatura infantil portuguesa. Lisbon: Vega, 1981. Ribeiro, Aquilino. Arca de Noé-III Classe. Lisbon, 1989. Rocha, Natércia. Breve História da Literatura para Crianças em Portugal. Lisbon: Instituto de Cultura e Língua Portuguesa, 1984.
       ■. Bibliografia geral da literatura portuguesa para crianças. Lisbon: Edit. Comunicação, 1987.
       ■ Sá, Domingos Guimarães de. A literatura infantil em Portugal. Braga: Edit. Franciscana, 1981.
       ■ Selfridge. John. Portugal. New York: Chelsea House, 1990. Vaz de Carvalho, Maria Amália. Contos para os Nossos Filhos, 11th ed. Oporto: Barreira, 1947.
       ■ Viana, António Manuel Couto. Jõao de Deus e um século de literatura infantil em Portugal. Lisbon: Ed. do Templo, 1978.
       ■ Lisbon, Capital City, in History and Literature
       ■ Castelo-Branco, Fernando. Lisboa Seiscentista, 3rd ed. Lisbon: 1969.
       ■ Castilho, Júlio de. Lisboa Antiga, 7 vols. Lisbon, 1935-45.
       ■ Couto, Dejanirah. Histoire de Lisbonne. Paris: Fayard, 2000.
       ■ Crespo, Ángel. Lisboa Mítica e Literária. Lisbon: Liv. Horizonte, 1987.
       ■ Dias, Marina Tavares. Lisboa Desaparecida. Lisbon: Quimera, 1990.
       ■ Dionísio, Sant'anna, ed. Guia de Portugal. Vol. I: Lisboa e Arredores. Lisbon: Biblioteca Nacional de Lisboa, 1924, orig. ed; reprint, Gulbenkian Foundation, 1979.
       ■ França, José-Augusto. Lisboa Pombalina e o Iluminismo. Lisbon: Bertrand, 1977.
       ■ Moita, Irisalva, ed. O Livro de Lisboa. Lisbon: Liv. Horizonte, 1994.
       ■ Neves, Orlando. Lisboa em Crónica. Lisbon: Author's Ed., 1968.
       ■ Pavão, Luís, and Mário Pereira. Tabernas de Lisboa. Lisbon: Assírio & Alvim, 1981.
       ■ Pessoa, Fernando. Lisboa. O que o turista deve ver: What the Tourist Should See. Lisbon: Liv. Horizonte, 1997.
       ■ Queirós, José Maria Eça de. À Capital. Lisbon: Sá da Costa, 1960.
       ■ Santos, Piedade Braga, et al. Lisboa Setecentista vista por Estrangeiros. Lisbon: Liv. Horizonte, 1996.
       ■ Vieira, Alice. Esta Lisboa. Lisbon: Caminho, 1993.
       ■ Wright, David, and Patrick Swift. Lisbon: A Portrait and Guide. New York: Scribners, 1971.
       ■ Azevedo, João Lúcio. Historia das Cristãos-Novos. Lisbon: Liv. Clássica, 1975.
       ■ Baião, António. A Inquisição em Portugal e no Brasil: Subsídios para a sua história. Lisbon: Arquivo Histórico Portugues, 1906. Bethencourt, Francisco. "Portugal: A Scrupulous Inquisition," In Bengt Ankarloo and Gustav Henningsen, eds., Early Modern Witchcraft: Centres and Peripheries, 403-22. Oxford: Clarendon Press, 1990.
       ■. "Os equilíbrios sociais do Poder." In José Mattoso, ed., Historia De Portugal, Vol. 3, No Alvorecer Da Modernidade ( 1480-1620). Lisbon: Estampa, 1993.
       ■. História das Inquisições: Portugal, Espanha e Itália. Lisbon: Círculo de Leitores, 1994.
       ■ Braga, Maria Luísa. A Inquisição em Portugal na primeira metade do Séc. XVIII. Lisbon: Inst. Nacional de Investigação Científica, 1992.
       ■ Haliczer, Stephen, ed. Inquisition and Society in Early Modern Europe. London: Croom Helm, 1987.
       ■ Herculano, Alexandre. History of the Origin and Establishment of the Inquisition in Portugal. Reprint. New York: AMS Press, 1968.
       ■ Magalhães, Joaquim Romero. "Em Busca dos Tempos da Inquisição (15731615)." Revista de História das Ideias 9 (1987): 191-228.
       ■ Mea, Elvira Cunha Azevedo. A Inquisição de Coimbra no Século XVI. Oporto, 1989.
       ■ Mendonça, José Lourenço D. de, and António Joaquim Moreira. História da Inquisição em Portugal. Lisbon: Círculo de Leitores, 1980.
       ■ Novinsky, Anita, and Luísa M. Carneiro, eds. Inquisição: Ensaios sobre Mentalidade, Heresias e Arte. Rio de Janeiro: Expressão e Cultura, 1992.
       ■ Pereira, Isais da Rosa. Documentos para a história da Inquisição em Portugal. Lisbon, 1987.
       ■ Rego, Yvonne Cunha, ed. Feiticeiros, Profetas e Visionários: Textos Antigos Portugueses. Lisbon: Imprensa Nacional e Casa da Moeda, 1981.
       ■ Saraiva, António José. Inquisição e cristãos-novos. Lisbon: Estampa, 1985.
       ■ Walker, Timothy Dale. "Doctors, Folk Medicine and the Inquisition: The Repression of Popular Healing in Portugal during the Enlightenment Era." Ph.D. dissertation, Department of History, Boston University, 2001.
       ■ Literature in English Translation: Selection
       ■ Alcaforado, Mariana. The Letters of a Portuguese Nun ( Mariana Alcaforado). Edgar Prestage, trans. London: D. Nutt, 1893.
       ■ Andrade, Eugénio de. "White on White." Alexis Levitin, trans. Quarterly Review of Literature. Poetry Series VIII. Vol. 27. Princeton, N.J., 1987.
       ■. Another Name for Earth; O outro nome da terra. Alexis Levitin, trans. Ft. Bragg, Calif.: QED Press, 1997.
       ■ Andresen, Sophia de Mello Breyner. Marine Rose: Selected Poems. Ruth Fain-light, trans. Redding Ridge, Conn.: Swan Books, 1989.
       ■ Antunes, António Lobo. South of Nowhere. Elizabeth Lowe, trans. New York: Random House, 1983.
       ■. Fado Alexandrino. Gregory Rabassa, trans. New York: Grove Weidenfeld, 1990.
       ■. An Explanation of the Birds. Richard Zenith, trans. New York: Grove Weidenfeld, 1991.
       ■. Act of the Damned. New York: Grove Press, 1995.
       ■. The Natural Order of Things. New York: Grove Press, 2000.
       ■ Barreno, Maria Isabel, Maria Teresa Horta, and Maria Velho da Costa. The Three Marias: New Portuguese Letters. Helen R. Lane, trans. New York: Doubleday, 1975.
       ■ Bell, Aubrey F. G. Poems from the Portuguese ( with the Portuguese text). A.
       ■ Bell, trans. Oxford: Blackwell, 1913.
       ■ Camões, Luís de. The Lusiads of Luís de Camões. Leonard Bacon, trans. New York: Hispanic Society of America, 1950.
       ■. The Lusiads. William C. Atkinson, trans. Harmondsworth, U.K.: Penguin, 1952.
       ■. The Lusiads. Landeg White, trans. New York: Oxford University Press, 1997.
       ■ Castelo Branco, Camilo. Doomed Love ( A Family Memoir). Alice R. Clemente, trans Providence, R.I.: Gávea-Brown, 1995. Castro, José Maria Ferreira de. Emigrants. Dorothy Ball, trans. New York: Macmillan, 1962.
       ■. Jungle. Charles Duff, trans. New York: Viking, 1935.
       ■. The Mission. Ann Stevens, trans. London: Hamilton, 1963.
       ■ Dantas, Júlio. The Cardinals' Collation, 48th ed. A. Saintsbury, trans. London, 1962.
       ■ Dias de Melo. Dark Stones. Gregory McNab, trans. Providence, R.I.: Gávea-Brown, 1996.
       ■ Dinis, Júlio. The Fidalgos of Casa Mourisca. Rosanna Dabney, trans. Boston: D. Lothrop, 1891.
       ■ Garrett, Almeida. Brother Luiz de Sousa [play]. Edgar Prestage, trans. London: Elkin Mathess, 1909.
       ■. Travels in My Homeland. John M. Parker, trans. London: Peter Owen and UNESCO, 1987. Griffin, Jonathan. Camões: Some Poems Translated from the Portuguese by Jonathan Griffin. London: Menard Press, 1976. Jorge, Lídia. The Murmuring Coast. Minneapolis: University of Minnesota Press, 1995.
       ■ Lisboa, Eugénio, ed. Portuguese Short Fiction. Manchester, U.K.: Carcanet, 1997.
       ■ Lopes, Fernão. The English in Portugal 1367-87: Extracts from the Chronicles of Dom Fernando and Dom João. Derek W. Lomax and R. J. Oakley, eds. and trans. Warminster, U.K.: Aris & Phillips, 1988.
       ■ Macedo, Helder, ed. Contemporary Portuguese Poetry: An Anthology in English. Helder Macedo, et al., trans. Manchester, U.K.: Carcanet New Press, 1978.
       ■ Martins, J. P. De Oliveira. A History of Iberian Civilization. Aubrey F. G. Bell, trans.; preface by Salvador de Madariaga. New York: Cooper Square, 1969.
       ■ Mendes Pinto, Fernão. The Travels of Mendes Pinto [Orig. title: Peregrinação].
       ■ Rebecca D. Catz, trans., with introduction and notes. Chicago: University of Chicago Press, 1989. Miguéis, José Rodrigues. A Man Smiles at Death with Half a Face. George
       ■ Monteiro, trans. Hanover, N.H.: University Press of New England, 1991.
       ■. Happy Easter. John Byrne, trans. Manchester, U.K.: Carcanet, 1995.
       ■. Steerage and Ten Other Stories. George Monteiro, ed. Providence, R.I.: Gávea-Brown, 1998. Monteiro, Luís De Sttau. The Rules of the Game. Ann Stevens, trans. London: Hamilton, 1965.
       ■ Mourão-Ferreira, David. Lucky in Love. Christine Robinson, trans. Manchester, U.K.: Carcanet, 1999. Namora, Fernando. Field of Fate. Dorothy Ball, trans. London: Macmillan, 1970.
       ■. Mountain Doctor. Dorothy Ball, trans. London: Macmillan, 1956.
       ■ Nemésio, Vitorino. Inclement Weather over the Channel. Francisco Cota Fagundes, trans. Providence, R.I.: Gávea-Brown, 1993.
       ■. Stormy Isles: An Azorean Tale. Francisco C. Fagundes, trans. Providence, R.I.: Gávea-Brown, 2000.
       ■ Paço D'Arcos, Joaquim. Memoirs of a Banknote. Robert Lyle, trans. London, 1968.
       ■ Pedroso, Consiglieri, comp. Portuguese Folk-Tales. Henriqueta Monteiro, trans. Reprint of orig. 1882 ed. New York: Benjamin Blom, 1969.
       ■ Pessoa, Fernando. Fernando Pessoa: Sixty Portuguese Poems. F. E. G. Quintanilha, ed. and trans. Cardiff: University of Wales Press, 1971.
       ■. Selected Poems: Fernando Pessoa. 2nd rev. ed. Jonathan Griffin, trans. Harmondsworth, U.K.: Penguin, 1982.
       ■. The Book of Disquiet. Alfred MacAdams, trans. New York: Pantheon, 1991.
       ■. Fernando Pessoa: Selected Poems. Peter Rickard, ed. and trans. Edinburgh, U.K.: Edinburgh University Press, 1991.
       ■. "The Mariner: A 'Static Drama' in One Act." In Translation: Portugal.
       ■ George Ritchie, et al., trans. The Journal of Literary Translation. Vol. XXV, 38-56. New York: Translation Center, Columbia University, 1991.
       ■. Message: Bilingual Edition. Jonathan Griffin, trans. London: Menard Press and King's College, 1992.
       ■ Pires, José Cardoso. Ballad of a Dog's Beach. Mary Fitton, trans. London: J. M. Dent, 1986.
       ■ Queirós, José Maria Eça de. Cousin Bazilio. Roy Campbell, trans. London: Max Reinhardt, 1953.
       ■. The Relic. Aubrey F. G. Bell, trans. London: Max Reinhardt, 1954.
       ■. The City and the Mountains. Roy Campbell, trans. London: Max Reinhardt, 1955.
       ■. The Sin of Father Amaro. Nan Flanagan, trans. London: Max Reinhardt, 1962.
       ■. The Maias. Patricia McGowan Pinheiro, trans. London: Bodley Head, 1965.
       ■. The Illustrious House of Ramires. Ann Stevens, trans. London: Bodley Head, 1968.
       ■. Letters from England. Ann Stevens, trans. London: Bodley Head, 1970.
       ■. To the Capital. John Vetch, trans. Manchester, U.K.: Carcanet, 1995.
       ■ Quental, Antero de. Sixty-four Sonnets. Edgar Prestage, trans. London: David Nutt, 1894.
       ■ Redol, Alves. The Man with Seven Names. L. L. Barrett, trans. New York: Knopf, 1964.
       ■ Resende, André de. André deResende's 'Poema Latina'/ 'Latinpoems.' J. C. R. Martyn, ed. and trans. Lewiston N.Y.: Lampeter and Edwin Mellen, 1998. Ribeiro, Aquilino. When the Wolves Howl. Patricia McGowan Pinheiro, trans. New York: Macmillan; London: Cape, 1963. Sá Carneiro, Mário de. The Great Shadow ( and Other Stories). Margaret Jull Costa, trans. Sawtry, U.K.: Dedalus, 1996. Santareno, Bernardo. The Promise. Nelson H. Vieira, trans. Providence, R.I.: Gávea-Brown, 1981.
       ■ Saramago, José. Baltasar and Blimunda. Giovanni Pontiero, trans. New York: Harcourt, Brace, 1987.
       ■. The Stone Raft. Giovanni Pontiero, trans. New York: Harcourt, Brace, 1991.
       ■. The Year of the Death of Ricardo Reis. Giovanni Pontiero, trans. New York: Harcourt, Brace, 1991.
       ■. The History of the Siege of Lisbon. Giovanni Pontiero, trans. New York: Harcourt Brace, 1996.
       ■. Blindness. New York: Harcourt, Brace, 1999.
       ■. Tale of the Unknown Island. New York: Harcourt Brace, 2000.
       ■. All the Names. Margaret Jull Costa, trans. New York: Harcourt, 2000.
       ■. Journey to Portugal. New York: Harcourt Brace, 2001.
       ■ Sena, Jorge de. The Poetry of Jorge de Sena: A Bilingual Selection. Frederick G. Williams et al., trans. Santa Barbara, Calif.: Mudborn Press, 1980.
       ■. By the Rivers of Babylon and Other Stories. New Brunswick, N.J.: Rutgers University Press, 1989.
       ■ Vicente, Gil. Four Plays of Gil Vicente: Edited from the Editio Princeps ( 1562). Aubrey F. G. Bell, ed. and trans. Cambridge: Cambridge University Press, 1920.
       ■. Lyrics of Gil Vicente. Aubrey F. G. Bell, trans. Oxford: Oxford University Press, Hispanic Notes and Monographs, Portuguese Series 1, 1921.
       ■. The Play of Rubena. Jack E. Tomlins, trans.; Rene P. Garay and José I. Suarez, eds. New York: National Hispanic Foundation for Humanities, 1993.
       ■. The Boat Plays. David Johnston, trans. and adaptation. London: Oberon, 1996.
       ■. Three Discovery Plays. Anthony Lappin, trans. Warminster, U.K.: Aris & Phillips, 1997.
       ■ Vieira, António. Dust Thou Art. Rev. W. Anderson, trans. London, 1882.
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       ■ Croft-Cooke, Rupert. Port. London: Putnam, 1957.
       ■. Madeira. London: Putnam, 1961.
       ■ Delaforce, John. The Factory House at Oporto. London: Christie's Wine Publications, 1979 and later eds.
       ■ Doel, Patricia A. Port O'Call: Memories of the Portuguese White Fleet in St. John's Newfoundland. St. John's, Newfoundland: ISER, 1992.
       ■ Fletcher, Wyndham. Port: An Introduction to Its History and Delights. London: Bernet, 1978.
       ■ Francis, A. D. The Wine Trade. London: Adam and Charles Black, 1972.
       ■ Freitas, Eduardo, João Ferreira de Almeida, and Manuel Villaverde Cabral. Modalidades de penetração do capitalismo na agricultura: estruturas agrárias em Portugal Continental, 1950-1970. Lisbon, 1976.
       ■ Gonçalves, Francisco Esteves. Portugal: A Wine Country. Lisbon, 1984.
       ■ Gulbenkian Foundation. Agrarian Reform. Lisbon, 1981.
       ■ Kurlansky, Mark. Cod: A Biography of the Fish That Changed the World. New York: Walker, 1997.
       ■ Malefakis, Edward. "Two Iberian Land Reforms Compared: Spain, 1931-1936 and Portugal, 1974—1978." In Gulbenkian Foundation, Agrarian Reform. Lisbon, 1981.
       ■ Moreira da Fonseca, A. Port Wine: Notes on Its History, Production and Technology. Oporto, 1981.
       ■ Moutinho, M. História da pesca do bacalhau. Lisbon: Imprensa Universitária, 1985.
       ■ Oliveira Marques, A. H. de. lntrodução a história da agricultura em Portugal.
       ■ Lisbon, 1968. Pato, Octávio. O Vinho. Lisbon, 1971.
       ■ Pearson, Scott R. Portuguese Agriculture in Transition. Ithaca, N.Y.: Cornell University Press, 1987.
       ■ Postgate, Raymond. Portuguese Wine. London: Dent, 1969.
       ■ Read, Jan. The Wines of Portugal. London: Faber & Faber, 1982.
       ■ Robertson, George. Port. London: Faber & Faber, 1982 ed.
       ■ Rutledge, Ian. "Land Reform and the Portuguese Revolution." Journal of Peasant Studies 5, 1 (Oct. 1977): 79-97.
       ■ Sanceau, Elaine. The British Factory at Oporto. Oporto, 1970.
       ■ Simon, Andre L. Port. London: Constable, 1934.
       ■ Simões, J. Os grandes trabalhadores do Mar: Reportagens na Terra Nova e na Groenlândia. Lisbon: Gazeta dos Caminho de Ferro, 1942.
       ■ Smith, Diana. Portugal and the Challenge of 1992: Special Report. New York: Camões Center/RIIC, Columbia University, 1990.
       ■ Stanislawski, Dan. Landscapes of Bacchus: The Vine in Portugal. Austin: University of Texas Press, 1970.
       ■ Teixeira, Carlos, and Victor M. Pereira da Rosa, eds. The Portuguese in Canada: From the Seat to the City. Toronto: University of Toronto Press, 2000.
       ■ Unwin, Tim. "Farmers' Perceptions of Agrarian Change in Northwest Portugal." Journal of Rural Studies 1, 4 (1985): 339-57.
       ■ Valadão do Valle, E. Bacalhau: tradições históricas e económicos. Lisbon, 1991.
       ■ Venables, Bernard. Baleia! The Whalers of Azores. London: Bodley Head, 1968.
       ■ Villiers, Alan. The Quest of the Schooner Argus: A Voyage to the Banks and Greenland. New York: Scribners, 1951. World Bank. Portugal: Agricultural Survey. Washington, D.C.: World Bank, 1978.
       ■ ECONOMY, INDUSTRY, AND DEVELOPMENT
       ■ Aiyer, Srivain, and Shahid A. Chandry. Portugal and the E.E.C.: Employment and Implications. Lisbon, 1979.
       ■ Baklanoff, Eric N. The Economic Transformation of Spain and Portugal. New York: Praeger, 1978.
       ■. "Changing Systems: The Portuguese Revolution and the Public Enterprise Sector." ACES ( Association of Comparative Economic Studies) Bulletin 26 (Summer-Fall 1984): 63-76.
       ■. "Portugal's Political Economy: Old and New." In K. Maxwell and M. Haltzel, eds., Portugal: Ancient Country, Young Democracy, 37-59. Washington, D.C.: Wilson Center Press, 1990.
       ■ Barbosa, Manuel P. Growth, Migration and the Balance of Payments in a Small, Open Economy. New York: Garland, 1984.
       ■ Braga de Macedo, Jorge, and Simon Serfaty, eds. Portugal since the Revolution: Economic and Political Perspectives. Boulder, Colo.: Westview, 1981.
       ■ Carvalho, Camilo, et al. Sabotagem Econômica: " Dossier" Banco Espírito Santo e Comercial de Lisboa. Lisbon, 1975.
       ■ Corkill, David. The Development of the Portuguese Economy: A Case of Euro-peanization. London: Routledge, 1999.
       ■ Cravinho, João. "The Portuguese Economy: Constraints and Opportunities." In K. Maxwell, ed., Portugal in the 1980s, 111-65. Westport, Conn.: Greenwood, 1986.
       ■ Dornsbusch, Rudiger, Richard S. Eckhaus, and Lane Taylor. "Analysis and Projection of Macroeconomic Conditions in Portugal." In L. S. Graham and H. M. Makler, eds., Contemporary Portugal, 299-330. Austin: University of Texas Press, 1979.
       ■ The Economist (London). "On the Edge of Europe: A Survey of Portugal." (June 30, 1981): 3-27.
       ■. "Coming Home: A Survey of Portugal." (May 28, 1988).
       ■. 'The New Iberia: Not Quite Kissing Cousins" [Spain and Portugal]. (May 5, 1990): 21-24.
       ■ Fundação Calouste Gulbenkian and German Marshall Fund of the U.S., eds. II Conferência Internacional sobre e Economia Portuguesa, 2 vols. Lisbon, 1979.
       ■ Hudson, Mark. Portugal to 1993: Investing in a European Future. London: The Economist Intelligence Unit/Special Report No. 11 57/EIU Economic Prospects Series, 1989.
       ■ International Labour Office (ILO). Employment and Basic Needs in Portugal. Geneva: ILO, 1979.
       ■ Kavalsky, Basil, and Surendra Agarwal. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978.
       ■ Krugman, Paul, and Jorge Braga de Macedo. "The Economic Consequences of the April 25th Revolution." Economia III (1979): 455-83.
       ■ Lewis, John R., and Alan M. Williams. "The Sines Project: Portugal's Growth Centre or White Elephant?" Town Planning Review 56, 3 (1985): 339-66.
       ■ Makler, Harry M. "The Consequences of the Survival and Revival of the Industrial Bourgeoisie." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 251-83. Madison: University of Wisconsin Press, 1983.
       ■ Marques, A. La Politique Economique Portugaise dans la Période de la Dictature ( 1926-1974). Doctoral thesis, 3rd cycle, University of Grenoble, France, 1980.
       ■ Martins, B. Sociedades e grupos em Portugal. Lisbon, 1973.
       ■ Mata, Eugenia, and Nuno Valério. História Econômica De Portugal: Uma Perspectiva Global. Lisbon: Edit. Presença, 1994. Murteira, Mário. "The Present Economic Situation: Its Origins and Prospects." In L. S. Graham and H. M. Makler, eds., Contemporary Portugal, 331-42. Austin: University of Texas Press, 1979. OCED. Economic Survey: Portugal: 1988. Paris: OCED, 1988 [see also this series since 1978].
       ■ Pasquier, Albert. L'Economie du Portugal: Données et Problémes de Son Expansion. Paris: Librarie Generale de Droit, 1961. Pereira da Moura, Francisco. Para onde vai e economia portuguesa? Lisbon, 1973.
       ■ Pintado, V. Xavier. Structure and Growth of the Portuguese Economy. Geneva: EFTA, 1964.
       ■ Pitta e Cunha, Paulo. "Portugal and the European Economic Community." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 321-38. Madison: University of Wisconsin Press, 1983.
       ■. "The Portuguese Economic System and Accession to the European Community." In E. Sousa Ferreira and W. C. Opello, Jr., eds., Conflict and Change in Portugal, 1974-1984, 281-300. Lisbon, 1985. Porto, Manuel. "Portugal: Twenty Years of Change." In Alan Williams, ed., Southern Europe Transformed, 84-112. London: Harper & Row, 1984. Quarterly Economic Review. London: The Economist Intelligence Unit, 1974-present.
       ■ Salgado de Matos, Luís. Investimentos Estrangeiros em Portugal. Lisbon, 1973 and later eds.
       ■ Schmitt, Hans O. Economic Stabilisation and Growth in Portugal. Washington, D.C.: International Monetary Fund, 1981.
       ■ Smith, Diana. Portugal and the Challenge of 1992. New York: Camões Center, RIIC, Columbia University, 1989.
       ■ Tillotson, John. The Portuguese Bank Note Case [ 1920s]: Legal, Economic and Financial Approaches to the Measure of Damages in Contract. Manchester, U.K.: Faculty of Law, University of Manchester, 1992.
       ■ Tovias, Alfred. Foreign Economic Relations of the Economic Community: The Impact of Spain and Portugal. Boulder, Colo.: Rienner, 1990.
       ■ Valério, Nuno. A moeda em Portugal, 1913-1947. Lisbon: Sá da Costa, 1984.
       ■ World Bank. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978 and to the present.
       ■ PHOTOGRAPHY ON PORTUGAL
       ■ Alves, Afonso Manuel, Antônio Sacchetti, and Moura Machado. Lisboa. Lisbon, 1991.
       ■ Antunes, José. Lisboa do nosso olhar; A look on Lisbon. Lisbon: Câmara Municipal de Lisboa, 1991. Beaton, Cecil. Near East. London: Batsford, 1943.
       ■. Lisboa 1942: Cecil Beaton, Lisbon 1942. Lisbon: British Historical Society of Portugal/Fundação Calouste Gulbenkian, 1995.
       ■ Bottineau, Yves. Portugal. London: Thames & Hudson, 1957.
       ■ Câmara Municipal de Lisboa. 7 Olhares ( Seven Viewpoints). Lisbon: Câmara Municipal de Lisboa, 1998.
       ■ Capital, A. Lisboa: Imagens d'A Capital. Lisbon: Edit. Notícias, 1984.
       ■ Dias, Marina Tavares. Photographias de Lisboa, 1900 ( Photographs of Lisbon, 1900). Lisbon: Quimera, 1991.
       ■ Finlayson, Graham, and Frank Tuohy. Portugal. London: Thames & Hudson, 1970.
       ■ Glassner, Helga. Portugal. Berlin-Zurich: Atlantis-Verlag, 1942. Hopkinson, Amanda, ed. Reflections by Ten Portuguese photographers. Bark-way, U.K.: Frontline/Portugal 600, 1996.
       ■ Lima, Luís Leiria, and Isabel Salema. Lisboa de Pedra e Bronze. Lisbon, 1990.
       ■ Martins, Miguel Gomes. Lisboa ribeirinha ( Riverside Lisbon). Lisbon: Arquivo Municipal, Câmara Municipal de Lisboa, Livros Horizonte, 1994. Vieira, Alice. Esta Lisboa ( This Lisbon). Lisbon: Caminho, 1994. Wohl, Hellmut, and Alice Wohl. Portugal. London: Frederick Muller, 1983.
       ■ EQUESTRIANISM
       ■ Andrade, Manoel Carlos de, Luz da Liberal e Nobre Arte da Cavallaria. Lisbon, 1790.
       ■ Graciosa, Filipe. Escola Portuguesa de Arte Equestre. Lisbon, 2004.
       ■ Horsetalk Magazine. Published in New Zealand.
       ■ Oliveira, Nuno. Reflections on the Equestrian Art. London, 2000.
       ■ Russell, Eleanor, ed. The Truth in the Teaching of Nuno Oliveira. Stanhope,
       ■ Queensland, Australia, 2003. Vilaca, Luis V., and Pedro Yglesias d'Oliveira, eds. LUSITANO. Coudelarias De Portugal. O Cavalo ancestral do Sudoeste da Europa. Lisbon: ICONOM, 2005.
       ■ Websites of interest: www.equestrian.pt portugalweb.com

    Historical dictionary of Portugal > CULTURE, LITERATURE, AND LANGUAGE

  • 11 Kane, Joseph

    1894-1975
       El nombre de Joseph Kane se asocia de forma indisoluble a una productora, Republic, de principio a fin. Kane habia dirigido en 1935 un serial para Mascot, que junto con otras pequenas productoras se asociaron para fundar Republic ese mismo ano. Desde esa fecha hasta 1958, en que la productora desaparece, Kane es uno de sus directores mas prolificos. Estamos ante uno de los grandes nombres del western, en cantidad, ya que no en calidad. Entre 1934 y 1975 trabaja en no menos de 120 peliculas, la inmensa mayoria de las cuales pertenecen al genero que nos ocupa. Trabaja con Gene Autry, John Wayne, Robert Livingston, Roy Rogers, Bill Elliott, en tre otros. Despues dirigira algunos episodios de se ries de television y otras cuatro peliculas. Sus mejores filmes son, sin duda, Titanes de la montana y Los indomables, ya al final de su carrera.
        Tumbling Tumbleweeds. 1935. 57 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Lucile Browne.
        Melody Trail. 1935, 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Ann Rutherford.
        The Sagebrush Troubadour. 1935. 54 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Barbara Pepper.
        The Lawless Nineties. 1936. 55 minutos. Blanco y Negro. Republic. John Wayne, Ann Rutherford.
        King of the Pecos. 1936. 54 minutos. Blanco y Negro. Republic. John Wayne, Muriel Evans.
        The Lonely Trail. 1936. 58 minutos. Blanco y Negro. Republic. John Wayne, Ann Rutherford.
        Oh, Susanna! 1936. 59 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Frances Grant.
        Ride Ranger Ride. 1936. 59 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Kay Hugues.
        Ghost-Town Gold. 1936. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Kay Hugues, Max Terhune.
        The Old Corral. 1936. 56 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Hope Manning.
        Guns and Guitars. 1936. 56 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Dorothy Dix.
        Git Along. Little Dogies. 1937. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Judith Allen.
        Round-Up Time in Texas. 1937. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Maxine Doyle.
        Gunsmoke Ranch. 1937. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Julia Thayer, Max Terhune.
        Come On, Cowboys! 1937. 59 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Maxine Doyle, Max Terhune.
        Yodelin’ Kid from Pine Ridge. 1937. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Betty Bronson.
        Public Cowboy No. 1. 1937. 62 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Ann Rutherford.
        Heart of the Rockies. 1937. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Lynn Roberts, Max Terhune.
        Boots and Saddles. 1937. 59 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Judith Allen.
        Springtime in the Rockies. 1937. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Polly Rowles.
        The Old Barn Dance. 1938. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Helen Valkis.
        Arson Gang Busters. 1938. 65 minutos. Blanco y Negro. Republic. Robert Livingston, Rosalind Keith.
        Under Western Stars. 1938. 65 minutos. Blanco y Negro. Republic. Roy Rogers, Smiley Burnette, Carol Hugues.
        Gold Mine in the Sky. 1938. 60 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Carol Hugues.
        The Man from Music Mountain. 1938. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Carol Hughes.
        Billy the Kid Returns. 1938. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Mary Hart (Lynne Roberts).
        Come On, Rangers. 1938. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Raymond Hatton, Mary Hart (Lynne Roberts).
        Shine On, Harvest Moon. 1938. 55 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Hart (Lynne Roberts).
        Rough Riders’ Round-Up. 1939. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Raymond Hatton, Mary Hart (Lynne Roberts).
        Frontier Pony Express. 1939. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Hart (Lynne Roberts).
        Southward Ho. 1939. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Hart (Lynne Roberts).
        In Old Caliente. 1939. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Hart (Lynne Roberts).
        Wall Street Cowboy. 1939. 66 minutos. Blanco y Negro. Republic. Roy Rogers, Ann Baldwyn, George Hayes, Raymond Hatton.
        In Old Monterey. 1939. 74 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey.
        The Arizona Kid. 1939. 61 minutos. Blanco y Negro. Republic. Roy Rogers, Dorothy Sebastian, George Hayes.
        Saga of Death Valley. 1939. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Doris Day, George Hayes.
        Days of Jesse James. 1939. 63 minutos. Blanco y Negro. Republic. Roy Rogers, Pauline Moore, George Hayes.
        Young Buffalo Bill. 1940. 59 minutos. Blanco y Negro. Republic. Roy Rogers, Pauline Moore, George Hayes.
        The Carson City Kid. 1940. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Pauline Moore, Bob Steele.
        The Ranger and the Lady. 1940. 59 minutos. Blanco y Negro. Republic. Roy Rogers, Julie Bishop, George Hayes.
        Colorado. 1940. 57 minutos. Blanco y Negro. Republic. Roy Rogers, Pauline Moore, George Hayes.
        Young Bill Hickcok. 1940. 59 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.
        The Border Legion. 1940. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Carol Hugues, George Hayes.
        Robin Hood of the Pecos. 1941. 59 minutos. Blanco y Negro. Republic. Roy Rogers, Marjorie Reynolds, George Hayes.
        In Old Cheyenne. 1941. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Joan Woodbury, George Hayes.
        Sheriff of Tombstone. 1941. 56 minutos. Blanco y Negro. Republic. Roy Rogers, Elyse Knox, George Hayes.
        Nevada City. 1941. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.
        Bad Man of Deadwood. 1941. 61 minutos. Blanco y Negro. Republic. Roy Rogers, Carol Adams, George Hayes.
        Jesse James at Bay. 1941. 56 minutos. Blanco y Negro. Republic. Roy Rogers, Gale Storm, Sally Payne, George Hayes.
        Red River Valley. 1941. 62 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.
        Man from Cheyenne. 1942. 60 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.
        South of Santa Fe. 1942. 55 minutos. Blanco y Negro. Republic. Roy Rogers, Lynda Hayes, George Hayes.
        Sunset on the Desert. 1942. 63 minutos. Blanco y Negro. Republic. Roy Rogers, Lynne Carver, George Hayes.
        Romance on the Range. 1942. 63 minutos. Blanco y Negro. Republic. Roy Rogers, Sally Payne, George Hayes.
        Sons of the Pioneers. 1942. 55 minutos. Blanco y Negro. Republic. Roy Rogers, Maris Wrixon, George Hayes.
        Sunset Serenade. 1942. 58 minutos. Blanco y Negro. Republic. Roy Rogers, Helen Parrish, George Hayes.
        Heart of the Golden West. 1942. 65 minutos. Blanco y Negro. Republic. Roy Rogers, Ruth Terry, George Hayes, Smiley Burnette.
        Ridin’ Down the Canyon. 1942. 55 minutos. Blanco y Negro. Republic. Roy Rogers, Lynda Hayes, George Hayes, Bob Nolan.
        Idaho. 1943. 70 minutos. Blanco y Negro. Republic. Roy Rogers, Virginia Grey, Smiley Burnette, Bob Nolan.
        King of the Cowboys. 1943. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Peggy Moran, Smiley Burnette, Bob Nolan.
        Song of Texas. 1943. 69 minutos. Blanco y Negro. Republic. Roy Rogers, Sheila Ryan, Barton MacLane, Bob Nolan.
        Silver Spurs. 1943. 65 minutos. Blanco y Negro. Republic. Roy Rogers, Phyllis Brooks, Smiley Burnette, Bob Nolan, John Carradine.
        The Man from Music Mountain. 1943. 71 minutos. Blanco y Negro. Republic. Roy Rogers, Ruth Ferry, Bob Notan.
        Hands Across the Border (Cita en la frontera). 1944. 73 minutos. Blanco y Negro. Republic. Roy Rogers, Ruth Terry, Bob Nolan.
        The Cowboy and the Senorita. 1944. 78 minutos. Blanco y Negro. Republic. Roy Rogers, Mary Lee, Dale Evans, Bob Nolan.
        The Yellow Rose of Texas. 1944. 69 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Bob Nolan.
        Song of Nevada (La cancion de Nevada). 1944. 75 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Mary Lee, Bob Nolan.
        Flame of Barbary Coast (Algun dia volvere). 1945. 91 minutos. Blanco y Negro. Republic. John Wayne, Ann Dvorak.
        Dakota. 1945. 82 minutos. Blanco y Negro. Republic. John Wayne, Vera Ralston, Walter Brennan.
        In Old Sacramento. 1946. 89 minutos. Blanco y Negro. Republic. Bill Elliott, Constance Moore
        The Plainsman and the Lady. 1946. 87 minutos. Blanco y Negro. Republic. Bill Elliott, Vera Ralston, Andy Clyde.
        Wyoming. 1947. 84 minutos. Blanco y Negro. Republic. Bill Elliott, Vera Ralston, George Hayes.
        In Old Los Angeles. 1948. 88 minutos. Blanco y Negro. Republic. Bill Elliott, Catherine McLeod, Andy Devine.
        The Gallant Legion. 1948. 88 minutos. Blanco y Negro. Republic. Bill Elliott, Adele Mara, Adrian Booth, Andy Devine.
        The Plunderers. 1948. 87 minutos. Trucolor. Republic. Rod Cameron, Ilona Massey, Adrian Booth.
        The Last Bandit. 1949. 80 minutos. Trucolor. Republic. Bill Elliott, Adrian Booth, Forrest Tucker, Andy Devine.
        Brimstone. 1949. 90 minutos. Trucolor. Republic. Rod Cameron, Adrian Booth, Forrest Tucker, Walter Brennan.
        Rock Island Trail. 1950. 90 minutos. Trucolor. Republic. Forrest Tucker, Adele Mara, Adrian Booth.
        The Savage Horde. 1950. 90 minutos. Blanco y Negro. Republic. Bill Elliott, Adrian Booth, Grant Whiters, Noah Beery, Jr.
        California Passage. 1950. 90 minutos. Blanco y Negro. Republic. Forrest Tucker, Adele Mara, Jim Davis.
        Oh! Susanna. 1951. 90 minutos. Trucolor. Republic. Rod Cameron, Adrian Booth, Forrest Tucker.
        Woman of the North Country. 1952. 92 minutos. Trucolor. Republic. Ruth Hussey, Rod Cameron, John Agar, Gale Storm
        Ride the Man Down. 1952. 90 minutos. Trucolor. Republic. Brian Donlevy, Rod Cameron, Ella Raines.
        San Antone (Los rebeldes de San Antonio). 1953. 90 min. Blanco y Negro. Republic. Rod Cameron, Arleen Whelan, Katy Jurado, Forrest Tucker.
        Jubilee Trail (Extrana aventura). 1954. 103 minutos. Trucolor. Republic. Vera Ralston, Forrest Tucker, Joan Leslie.
        Hell’s Outpost. 1954. 90 minutos. Blanco y Negro. Republic. Rod Cameron, Joan Leslie, John Russell.
        Timberjack (Titanes de la montana). 1955. 94 minutos. Trucolor. Republic. Sterling Hayden, Vera Ralston.
        The Road to Denver. 1955. 90 minutos. Trucolor. Republic. John Payne, Mona Freeman, Lee J. Cobb.
        The Vanishing American (El ocaso de una raza). 1955. 90 minutos. Blanco y Negro. Republic. Scott Brady, Audrey Totter, Forrest Tucker.
        The Maverick Queen (Los indomables). 1956. 92 minutos. Trucolor. Natu rama. Republic. Barbara Stanwyck, Barry Sullivan, Scott Brady.
        Thunder Over Arizona. 1956. 70 minutos. Trucolor. Naturama. Republic. Skip Homeier, Kristine Miller.
        Duel at Apache Wells. 1957. 70 minutos. Blanco y Negro. Naturama. Republic. Anna Maria Alberguetti, Ben Cooper, Jim Davis.
        Spoilers of the Forest. 1957. 68 minutos. Trucolor. Naturama. Republic. Rod Cameron, Vera Ralston.
        The Last Stagecoach West. 1957. 67 minutos. Blanco y Negro. Naturama. Republic. Jim Davis, Mary Castle.
        Gunfire at Indian Gap. 1957. 70 minutos. Blanco y Negro. Naturama. Republic. Vera Ralston, Anthony George.
        The Lawless Eighties. 1958. 70 minutos. Blanco y Negro. Naturama. Republic. Buster Crabbe, John Smith, Marilyn Saris.
        Smoke in the Wind (co-d.: Andy Brennan). 1975. 98 minutos. Color. Gamalex. John Ashely, John Russell, Susan Houston, Walter Brennan.

    English-Spanish dictionary of western films > Kane, Joseph

  • 12 Witney, William N.

    1915-2002
       En sus inicios profesionales, a mediados de los anos 30, Witney hizo un poco de todo: fue montador, ayudante de direccion e, incluso, guionista, pero a partir de 1937 se dedico a la realizacion, convirtiendose en uno de los directores prolificos de Hollywood, en este caso para la productora Republic. En sus primeros anos como realizador, se especializo en seriales realizados en colaboracion, en particular con John English. La division del trabajo era sencilla: este rodaba las escenas de dialogo y los interiores, y Witney las escenas de accion. De este modo, fue adquiriendo justa fama como director de peliculas de accion, con grandes peleas y largas cabalgadas. Aunque la parte mas extensa de su filmografia la ocupan los westerns, es justo reconocer su labor en otros filmes de accion como Aventuras del capitan Maravillas (Adventures of Captain Marvel, 1941), se rial realizado con el ya citado John English. Como al gunos otros de sus companeros, sirvio extensamente a estrellas del western, en este caso Roy Rogers y Rex Allen. En sus peliculas hay de todo, pero no seria malo revisarlas con alguna atencion porque encontraremos en ellas no pocos detalles interesantes de personal estilo cinematografico.
        The Painted Stallion (co-d.: Alan James, Ray Taylor). 1937. 212 minutos. 12 capitulos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, LeRoy Mason, Duncan Renaldo, Julia Thayer.
        The Trigger Trio. 1937. 60 minutos. Blanco y Negro. Republic. Ray Corrigan, Max Terhune, Sandra Corday, Hal Taliaferro.
        Zorro Rides Again (co-d.: John English). 1937. 212 minutos. 12 capitulos. Blanco y Negro. Republic. John Caroll, Helen Christian.
        The Painted Stallion (co-d.: Alan James, Ray Taylor). 1938. 67 minutos. Blanco y Negro. Ray Corrigan, Hoot Gibson, Jean Carmen.
        The Lone Ranger (co-d.: John English). 1938. 264 minutos. 15 capitulos. Blanco y Negro. Republic. Lee Powell, Lynne Roberts, Bruce Bennett.
        The Lone Ranger Rides Again (co-d.: John English). 1939. 263 minutos. 15 capitulos. Blanco y Negro. Republic. Robert Livingston, Duncan Renaldo.
        Zorro’s Fighting Legion (co-d.: John English). 1939. 212 minutos. Blanco y Negro. Republic. Reed Hadley, Sheila Darcey.
        Heroes of the Saddle. 1940. 59 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Loretta Weaver, Patsy Lee Parsons.
        Hi-Yo Silver (co-d.: John English). 1940. 69 minutos. Blanco y Negro. Re public. Lee Powell, Lynne Roberts, Bruce Bennett.
        Adventures of Red Ryder (co-d.: John English). 1940. 205 minutos. 12 capitulos. Blanco y Negro. Republic. Don Barry, Noah Berry, Vivian Coe.
        King of the Royal Mounted (El rey de la policia montada) (co-d.: John English). 1940. 211 minutos. 12 capitulos. Blanco y Negro. Republic. Allan Lane, Robert Strange, Lita Conway.
        King of the Texas Rangers (co-d.: John English). 1941. 215 minutos. 12 ca pitulos. Blanco y Negro. Republic. Sammy Baugh, Pauine Moore, Duncan Renaldo.
        King of the Mounties. 1942. 196 minutos. 12 capitulos. Blanco y Negro. Republic. Allan Lane, Gilbert Emery, Peggy Drake.
        Outlaws of Pine Ridge. 1942. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Noah Beery.
        Yukon Patrol (co-d.: John English). 1942. 68 minutos. Blanco y Negro. Republic. Allan Lane, Robert Strange, Lita Conway.
        Roll on, Texas Moon. 1946. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.
        Home in Oklahoma. 1946. 72 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.
        Heldorado. 1946. 70 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.
        Apache Rose. 1947. 75 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Olin Howlin.
        Bells of San Angelo. 1947. 78 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Andy Devine.
        Springtime in the Sierras. 1947. 75 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.
        On the Old Spanish Trail. 1947. 75 minutos. Trucolor. Republic. Roy Ro gers, Jane Frazee, Andy Devine.
        The Gay Ranchero. 1948. 72 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.
        Under California Stars. 1948. 70 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.
        Eyes of Texas. 1948. 70 minutos. Trucolor. Republic. Roy Rogers, Lynne Roberts, Andy Devine.
        Nightime in Nevada. 1948. 67 minutos. Trucolor. Republic. Roy Rogers, Adele Mara, Andy Devine.
        Grand Canyon Trail. 1948. 67 minutos. Trucolor. Republic. Roy Rogers, Jane Frazee, Andy Devine.
        The Far Frontier. 1948. 67 minutos. Trucolor. Republic. Roy Rogers, Gail Davis, Andy Devine.
        Susanna Pass. 1949. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Estelita Rodriguez.
        Down Dakota Way. 1949. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.
        The Golden Stallion. 1949. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.
        Bells of Coronado. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.
        Twilight in the Sierras. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady.
        Trigger, Jr. 1950. 68 minutos. Trucolor. Republic. Roy Rogers, Dale Evans, Pat Brady, Gordon Jones.
        Sunset in the West. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Penny Edwards, Gordon Jones, Estelita Rodriguez.
        North of the Great Divide. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Penny Edwards, Gordon Jones.
        Trail of Robin Hood. 1950. 67 minutos. Trucolor. Republic. Roy Rogers, Penny Edwards, Gordon Jones.
        Spoilers of the Plains. 1951. 68 minutos. Blanco y Negro. Republic. Roy Rogers, Penny Edwards, Gordon Jones.
        Heart of the Rockies. 1951. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Penny Edwards, Gordon Jones.
        In Old Amarillo. 1951. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Penny Edwards, Pinky Lee, Estelita Rodriguez.
        South of Caliente. 1951. 67 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Pinky Lee.
        Pals of the Golden West. 1951. 68 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Pinky Lee, Estelita Rodriguez.
        Colorado Sundown. 1952. 67 minutos. Blanco y Negro. Republic. Rex Allen, June Vincent, Mary Ellen Kay, Slim Pickens.
        The Last Musketeer. 1952. 67 minutos. Blanco y Negro. Republic. Rex Allen, Mary Ellen Kay, Slim Pickens.
        Border Saddlemates. 1952. 67 minutos. Blanco y Negro. Republic. Rex Allen, Mary Ellen Kay, Slim Pickens.
        Old Oklahoma Plains. 1952. 60 minutos. Blanco y Negro. Republic. Rex Allen, Elaine Edwards, Slim Pickens.
        South Pacific Trail. 1952. 60 minutos. Blanco y Negro. Republic. Rex Allen, Estelita Rodriguez, Slim Pickens.
        Old Overland Trail. 1953. 60 minutos. Blanco y Negro. Republic. Rex Allen, Virginia Hall, Slim Pickens.
        Iron Mountain Trail. 1953. 54 minutos. Blanco y Negro. Republic. Rex Allen, Nan Leslie, Slim Pickens.
        Down Laredo Way. 1953. 54 minutos. Blanco y Negro. Republic. Rex Allen, Dona Drake, Marjorie Lord, Slim Pickens.
        Shadows of Tomsbtone. 1953. 54 minutos. Blanco y Negro. Republic. Rex Allen, Jeanne Cooper, Slim Pickens.
        The Outcast. 1954. 90 minutos. Trucolor. Republic. John Derek, Joan Evans, Jim Davis, Catherine McLeod.
        Santa Fe Passage (Senderos de violencia). 1955. 90 minutos. Trucolor. Republic. John Payne, Faith Domergue, Rod Cameron, Slim Pickens.
        Stranger at My Door (Un extrano a mi puerta). 1956. 85 minutos. Blanco y Negro. Republic. MacDonald Carey, Patricia Medina, Skip Homeier.
        Zorro Rides Again (co-d.: John English). 1959. 68 minutos. Blanco y Negro. Republic. John Carroll, Helen Christian, Duncan Renaldo.
        The Long Rope. 1961. 61 minutos. Blanco y Negro. CinemaScope. Fox. Hugh Marlowe, Lisa Montell, Alan Hale, Jr.
        Apache Rifles. 1964. 93 minutos. Color DeLuxe. Fox. Audie Murphy, Michael Dante, Linda Lawson.
        Arizona Raiders (El renegado de Arizona). 1965. 88 minutos. Technicolor. Techniscope. Admiral (Columbia). Audie Murphy, Michael Dante, Gloria Talbott, Ben Cooper.
        40 Guns to Apache Pass. 1967. 95 minutos. Eastmancolor. Admiral (Columbia). Audie Murphy, Laraine Stephens, Michael Burns.

    English-Spanish dictionary of western films > Witney, William N.

  • 13 Selander, Lesley

    1900-1979
       Sus origenes en el cine se situan dentro de la tarea de operador de camara y, despues, ayudante de direccion. Su carrera como director comienza realmente en 1936. Lesley Selander es uno de los grandes especialistas del western, con mas de cien peliculas a sus espaldas. Decir “uno de los grandes especialistas” no es lo mismo que decir “uno de los grandes nombres” y, en efecto, la trayectoria de Selander, en lo que a la calidad de sus peliculas se refiere, es irregular. Lo que, sin embargo, sorprende es que la valoracion media de sus westerns no es baja, lo que indica que el director poseia un especial instinto para el genero, que pone de manifiesto con una plastica mas que correcta y un buen manejo del tiempo de la narracion. Inabarcable por su extension, es dificil senalar los filmes que destacan en tan amplia muestra, pero si me veo en la obligacion de citar alguno, no dudaria en elegir las peliculas que hizo para Allied Artists a finales de los anos 40 y principios de los 50, y algunas otras de las ultimas que realizo, como Dakota Lil o The Broken Star.
        Ride’ Em Cowboy. 1936. 59 minutos. Blanco y Negro. Universal. Buck Jo nes, Luana Walters.
        The Boss Rider of Gun Creek. 1936. 65 minutos. Blanco y Negro. Univ er sal. Buck Jones, Muriel Evans.
        Empty Saddles. 1936. 67 minutos. Blanco y Negro. Universal. Buck Jones, Louise Brooks, Claire Rochelle.
        Sandflow. 1937. 58 minutos. Blanco y Negro. Universal. Buck Jones, Lita Chevret.
        Left Handed Law. 1937. 63 minutos. Blanco y Negro. Universal. Buck Jones, Noel Francis, Nina Quartero.
        Smoke Tree Range. 1937. 59 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans.
        Hopalong Rides Again. 1937. 65 minutos. Blanco y Negro. Paramount. William Boyd, Lois Wilde, Russell Hayden, George Hayes.
        The Barrier. 1937. 90 minutos. Blanco y Negro. Paramount. Leo Carrillo, Jean Parker, James Ellison.
        Partners of the Plains. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, Harvey Clark.
        Cassidy on Bar 20. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Nora Lane, Russell Hayden, Frank Darien.
        Heart of Arizona. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Natalie Moorhead, Russell Hayden, George Hayes.
        Bar 20 Justice. 1938. 70 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, George Hayes.
        Pride of the West. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Field, Russell Hayden, George Hayes.
        The Mysterious Rider. 1938. 74 minutos. Blanco y Negro. Paramount. Douglas Drumbrille, Russell Hayden, Charlotte Field.
        The Frontiersman. 1938. 74 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Venable, Russell Hayden, George Hayes.
        Sunset Trail. 1939. 60 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Jane Clayton, Russell Hayden, George Hayes.
        Heritage of the Desert. 1939. 74 minutos. Blanco y Negro. Paramount. Donald Woods, Russell Hayden, Evelyn Venable, Robert Barrat.
        Silver on the Sage (De cara a cara). 1939. 68 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, George Hayes.
        The Renegade Trail. 1939. 61 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Russell Hayden, George Hayes.
        Range War. 1939. 66 minutos. Blanco y Negro. Paramount. William Boyd, Betty Moran, Russell Hayden, Britt Wood.
        Santa Fe Marshal. 1940. 65 minutos. Blanco y Negro. Paramount. William Boyd, Bernadine Hayes, Russell Hayden, Britt Wood.
        Knights of the Range. 1940. 68 minutos. Blanco y Negro. Paramount. Russell Hayden, Jean Parker, Victor Jory.
        The Light of Western Stars. 1940. 67 minutos. Blanco y Negro. Para mount. Russell Hayden, Victor Jory, Jo Ann Sayers.
        Hidden Gold. 1940. 61 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, Britt Wood.
        Stagecoach War. 1940. 63 minutos. Blanco y Negro. Paramount. William Boyd, Julie Carter, Russell Hayden, Eddy Waller.
        Cherokee Strip. 1940. 86 minutos. Blanco y Negro. Paramount. Richard Dix, Florence Rice, Victor Jory, Andy Clyde.
        Three Men from Texas (Hombres del Oeste). 1940. 70 minutos. Blanco y Negro. Paramount. William Boyd, Esther Estrella, Russell Hayden, Andy Clyde.
        Doomed Caravan. 1941. 62 minutos. Blanco y Negro. Paramount. William Boyd, Georgia Hawkins, Russell Hayden, Andy Clyde.
        The Roundup. 1941. 90 minutos. Blanco y Negro. Paramount. Richard Dix, Patricia Morison, Preston Foster.
        Pirates on Horseback. 1941. 69 minutos. Blanco y Negro. Paramount. Wi lliam Boyd, Eleanor Stewart, Russell Hayden, Andy Clyde.
        Wide Open Town (La ley del Oeste). 1941. 78 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Brent, Bernice Kay, Russell Hayden, Andy Clyde.
        Riders of the Timberline. 1941. 59 minutos. Blanco y Negro. Paramount. William Boyd, Eleanor Stewart, Brad King,
        Stick to Your Guns. 1941. 63 minutos. Blanco y Negro. Paramount. William Boyd, Jennifer Holt, Brad King, Andy Clyde.
        Thundering Hoofs. 1942. 61 minutos. Blanco y Negro. RKO. Tim Holt, Luana Walters, Lee White, Ray Whitley.
        Bandit Ranger. 1942. 58 minutos. Blanco y Negro. RKO. Tim Holt, Joan Barclay, Cliff Edwards.
        Undercover Man. 1942. 68 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Esther Estrella, Jay Kirby, Andy Clyde.
        Border Patrol. 1943. 66 minutos. Blanco y Negro. UA. William Boyd, Claudia Drake, Jay Kirby, Andy Clyde.
        Buckskin Frontier. 1943. 74 minutos. Blanco y Negro. UA. Richard Dix, Jane Wyatt, Lee J. Cobb, Albert Dekker.
        Colt Comrades. 1943. 67 minutos. Blanco y Negro. UA. William Boyd, Gayle Lord, Jay Kirby, Andy Clyde.
        Red River Robin Hood. 1942. 57 minutos. Blanco y Negro. RKO. Tim Holt, Barbara Moffett, Cliff Edwards.
        Bar 20. 1943. 54 minutos. Blanco y Negro. UA. William Boyd, Dustine Farnum, George Reeves, Andy Clyde.
        Riders of the Deadline. 1943. 70 minutos. Blanco y Negro. UA. William Boyd, Frances Woodward, Jimmy Rogers, Andy Clyde.
        Lost Canyon. 1942. 61 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Jay Kirby, Andy Clyde.
        Lumberjack. 1944. 65 minutos. Blanco y Negro. UA. William Boyd, Ellen Hall, Jimmy Rogers, Andy Clyde.
        Forty Thieves. 1944. 60 minutos. Blanco y Negro. UA. William Boyd, Louise Currie, Jimmy Rogers, Andy Clyde.
        Call of the Rockies. 1944. 56 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Hall.
        Bordertown Trail. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Lowe.
        Stagecoach to Monterey. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Peggy Stewart, Roy Barcroft.
        Cheyenne Wildcat. 1944. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.
        Sheriff of Sundown. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Max Terhune, Linda Sterling.
        Firebrands of Arizona. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Peggy Stewart.
        Sheriff of Las Vegas. 1944. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.
        The Great Stagecoach Robbery. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.
        Trail of Kit Carson. 1945. 57 minutos. Blanco y Negro. Republic. Allan Lane, Helen Talbot.
        Phantom of the Plains. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.
        Out California Way. 1946. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, John Dehner, Bobby Blake.
        Last Frontier Uprising. 1947. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, Roy Barcroft.
        Saddle Pals. 1947. 72 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.
        Robin Hood of Texas. 1947. 71 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.
        The Red Stallion. 1947. 81 minutos. Cinecolor. Eagle Lion. Robert Paige, Noreen Nash.
        Belle Star’s Daughter. 1947. 85 minutos. Blanco y Negro. Alson (Fox). George Montgomery, Rod Cameron, Ruth Roman.
        Panhandle (Imperio del crimen). 1948. 85 minutos. Blanco y Negro. Allied. Rod Cameron, Cathy Downs, Reed Hadley, Anne Gwynne.
        Guns of Hate. 1948. 62 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin.
        Indian Agent. 1948. 63 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin, Lee “Lasses” White.
        Brothers in the Saddle. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Virginia Cox, Richard Martin.
        Rustlers. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Martha Hyer, Richard Martin.
        Stampede. 1949. 78 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Gale Storm.
        Masked Raiders. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Marjorie Lord, Richard Martin.
        The Mysterious Desperado. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Movita, Richard Martin.
        Dakota Lil. 1950. 88 minutos. Cinecolor. Fox. George Montgomery, Marie Windsor, Rod Cameron.
        Riders of the Range. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jacqueline White, Richard Martin.
        Storm Over Wyoming. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Betty Underwood, Richard Martin.
        Rider from Tucson. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Elaine Riley, Veda Ann Borg, Richard Martin.
        Rio Grande Patrol (Patrulla de Rio Grande). 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jane Nigh, Richard Martin.
        The Kangaroo Kid. 1950. 72 minutos. Blanco y Negro. Allied Australian. Jock Mahoney, Veda Ann Borg, Douglass Dumbrille, Martha Hyer.
        Short Grass. 1950. 82 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Cathy Downs.
        Law of the Badlands. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin
        Saddle Legion. 1951. 61 minutos. Blanco y Negro. RKO. Tim Holt, Dorothy Malone, Richard Martin.
        Cavalry Scout. 1951. 78 minutos. Cinecolor. Monogram. Rod Cameron, Audrey Long, Jim Davis.
        Gunplay. 1951. 69 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.
        Pistol Harvest. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.
        Overland Telegraph. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Gail Davis, Richard Martin.
        Fort Osage. 1952. 72 minutos. Cinecolor. Monogram. Rod Cameron, Jane Nigh.
        Trail Guide (Rastro oculto). 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Linda Douglas (Mary Jo Tarola), Richard Martin.
        Road Agent. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Richard Martin.
        Desert Passage. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.
        The Raiders. 1952. 80 minutos. Technicolor. Universal. Richard Conte, Viveca Lindfords, Richard Martin, Barbara Britton.
        Fort Vengeance (Fort Venganza). 1953. 75 minutos. Cinecolor. Allied. James Craig, Rita Moreno, Keith Larsen.
        Cow Country. 1953. 82 minutos. Blanco y Negro. Allied. Edmond O’Brien, Peggie Castle, Robert Barrat, Helen Westcott.
        War Paint. 1953. 89 minutos. Pathecolor. K-B Productions (UA). Robert Stack, Joan Taylor, Charles McGraw.
        Arrow in the Dust (Flechas incendiarias). 1954. 80 minutos. Technicolor. Allied. Sterling Hayden, Coleen Gray, Keith Larsen.
        The Yellow Tomahawk. 1954. 82 minutos. Color Corp. Of America. Bel-Air (UA). Rory Calhoun, Peggie Castle, Peter Graves.
        Shotgun (La pradera sangrienta). 1955. 81 minutos. Technicolor. Allied. Sterling Hayden, Yvonne De Carlo, Zachary Scott.
        Fort Yuma. 1955. 78 minutos. Technicolor. Bel-Air (UA). Peter Graves, Jean Vohs, John Hudson, Joan Taylor.
        Tall Man Riding. 1955. 83 minutos. Warnercolor. WB. Randolph Scott, Dorothy Malone, Robert Barrat, Peggie Castle.
        The Broken Star. 1956. 82 minutos. Blanco y Negro. Bel-Air (UA). Howard Duff, Lita Baron, Bill Williams.
        Quincannon - Frontier Scout. 1956. 83 minutos. Color DeLuxe. Bel-Air (UA). Tony Martin, Peggie Castle, John Bromfield.
        Tomahawk Trail. 1957. 60 minutos. Blanco y Negro. Bel-Air (UA). Chuck Connors, Susan Cummings, John Smith.
        Revolt at Fort Laramie. 1957. 73 minutos. Color DeLuxe. Bel-Air (UA). John Dehner, Gregg Palmer, Frances Helm.
        Outlaw’s Son. 1957. 87 minutos. Blanco y Negro. Bel-Air (UA). Dane Clark, Ben Cooper, Lori Nelson.
        The Lone Ranger and the Lost City of Gold. 1958. 80 minutos. East man color. UA. Clayton Moore, Jay Silverheels, Noreen Nash.
        Convict Stage. 1965. 71 minutos. Blanco y Negro. Fox. Harry Lauter, Do nald Barry, Jodi Mitchell.
        War Party. 1965. 72 minutos. Blanco y Negro. Fox. Michael T. Mikler, Do nald Barry, Laurie Mack.
        Fort Courageous. 1965. 72 minutos. Blanco y Negro. Fox. Fred Beir, Do nald Barry, Hanna Landy.
        Town Tamer. 1965. 89 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). Dana Andrews, Terry Moore, Pat O’Brien, Coleen Gray.
        The Texican/Texas Kid (Texas Kid). 1966. 86 minutos. Eastmancolor. Techniscope. M.C.R./Balcazar (Columbia). Audie Murphy, Broderick Craw ford, Diana Lorys
        Fort Utah. 1967. 83 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). John Ireland, Virginia Mayo, Scott Brady.
        Arizona Bushwhackers. 1968. 86 minutos. Technicolor. Techniscope. A.C. Lyles (Paramount). Howard Keel, Yvonne De Carlo, John Ireland.

    English-Spanish dictionary of western films > Selander, Lesley

  • 14 Bradbury, Robert North

    1886-1949
       El prolifico Bradbury consiguio notoriedad mucho tiempo despues de realizar sus peliculas, cuando se recordo que el era, en lo esencial, el director de la famosa serie “Lone Star”, protagonizada por la futura estrella John Wayne. Ademas de eso, dirigio profusamente a su propio hijo, Bob Steele, uno de los grandes interpretes del western modesto y seriado de los anos 30. Por lo demas, sus argumentos son sencillos, con la intriga y la emocion justas, y una direccion, por lo general, rutinaria.
        Dugan of the Badlands. 1931. 66 minutos. Blanco y Negro. Monogram. Bill Cody, Blanche Mehaffey, Andy Shuford.
        Son of the Plains. 1931. 59 minutos. Blanco y Negro. Syndicate. Bob Custer, Doris Philips.
        Law of the West (La ley del mas fuerte). 1932. 58 minutos. Blanco y Negro. World Wide. Bob Steele, Nancy Drexel.
        Riders of the Desert (Jinetes del desierto). 1932. 59 minutos. Blanco y Negro. World Wide. Bob Steele, Gertrude Messinger.
        Man from Hell’s Edges (El lobo). 1932. 61 minutos. Blanco y Negro. World Wide. Bob Steele, Nancy Drexel.
        Son of Oklahoma (Oro en el desierto). 1932. 55 minutos. Blanco y Negro. World Wide. Bob Steele, Carmen LaRoux.
        Hidden Valley. 1932. 60 minutos. Blanco y Negro. Monogram. Bob Steele, Gertrude Messinger.
        Texas Buddies (Venganza tejana). 1932. 59 minutos. Blanco y Negro. World Wide. Bob Steele, Nancy Drexel.
        Breed of the Border. 1933. 60 minutos. Blanco y Negro. Monogram. Bob Steele, Marion Byron.
        The Gallant Fool. 1933. 60 minutos. Blanco y Negro. Monogram. Bob Steele, Arletta Duncan.
        Galloping Romeo. 1933. 60 minutos. Blanco y Negro. Monogram. Bob Steele, Doris Hill.
        Ranger’s Code. 1933. 59 minutos. Blanco y Negro. Monogram. Bob Steele, Doris Hill.
        Riders of Destiny (Raza de domadores/Jinetes del destino). 1933. 58 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Cecilia Parker.
        The Lucky Texan. 1934. 56 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Barbara Sheldon.
        West of the Divide. 1934. 54 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Virginia Brown Faire.
        Blue Steel. 1934. 54 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Eleanor Hunt.
        The Man from Utah. 1934. 55 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Polly Ann Young.
        The Star Packer (El vengador legal). 1934. 60 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Verna Hillie.
        The Trail Beyond. 1934. 55 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Verna Hillie.
        The Lawless Frontier. 1934. 59 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Sheila Terry.
        Big Calibre (Balas vengadoras). 1935. 58 minutos. Blanco y Negro. Supreme. Bob Steele, Peggy Campbell.
        Western Justice. 1935. 56 minutos. Blanco y Negro. Supreme. Bob Steele, Renee Borden.
        Kid Courageous (El camino de la muerte/El deporte salvador). 1934. 62 min. Blanco y Negro. Supreme. Bob Steele, Renee Borden, Arthur Loft.
        No Man’s Range. 1935. 56 minutos. Blanco y Negro. Supreme. Bob Steele, Roberta Gale.
        Texas Terror. 1935. 58 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Lucille Browne.
        Rainbow Valley. 1935. 52 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Lucille Browne.
        Smokey Smith (Alias Humareda). 1935. 57 minutos. Blanco y Negro. Supreme. Bob Steele, Mary Kornman.
        Tombstone Terror. 1935. 58 minutos. Blanco y Negro. Supreme. Bob Steele, Kay McCoy.
        The Dawn Rider. 1935. 56 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Marion Burns.
        Westward Ho. 1935. 60 minutos. Blanco y Negro. Republic. John Wayne, Sheila Mannors.
        Rider of the Law (El paladin de la ley). 1935. 59 minutos. Blanco y Negro. Supreme. Bob Steele, Gertrude Messinger.
        Between Men. 1935. 60 minutos. Blanco y Negro. Supreme. Johnny Mack Brown, Beth Marion.
        Lawless Range. 1935. 59 minutos. Blanco y Negro. Republic. John Wayne, Sheila Mannors.
        Alias John Law. 1935. 59 minutos. Blanco y Negro. Supreme. Bob Steele, Roberta Gale.
        Courageous Avenger. 1935. 58 minutos. Blanco y Negro. Supreme. Johnny Mack Brown, Helen Erickson.
        Trail of Terror (Huellas de terror). 1935. 54 minutos. Blanco y Negro. Supreme. Bob Steele, Beth Marion.
        Valley of the Lawless (El valle siniestro). 1936. 56 minutos. Blanco y Negro. Supreme. Johnny Mack Brown, Joyce Compton.
        The Kid Ranger. 1936. 57 minutos. Blanco y Negro. Supreme. Bob Steele, Joan Barclay.
        Sundown Saunders. 1936. 59 minutos. Blanco y Negro. Supreme. Bob Steele, Catherine Cotter (Marie Burton).
        Last of the Warrens. 1936. 60 minutos. Blanco y Negro. Supreme. Bob Steele, Margaret Marquis, Charles King.
        The Law Rides. 1936. 57 minutos. Blanco y Negro. Supreme. Bob Steele, Harley Wood, Charles King.
        Brand of the Outlaws. 1936. 60 minutos. Blanco y Negro. Supreme. Bob Steele, Margaret Marquis.
        Cavalry. 1936. 63 minutos. Blanco y Negro. Republic. Bob Steele, Frances Grant.
        Headin’ for the Rio Grande. 1936. 60 minutos. Blanco y Negro. Grand National. Tex Ritter, Eleanor Stewart.
        The Gun Ranger. 1937. 56 minutos. Blanco y Negro. Republic. Bob Steele, Eleanor Stewart.
        Trouble in Texas (El heroe de Texas). 1937. 53 minutos. Blanco y Negro. Grand National. Tex Ritter, Rita Hayworth.
        Hittin’ the Trail. 1937. 58 minutos. Blanco y Negro. Grand National. Tex Ritter, Jerry Bergh.
        The Trusted Outlaw. 1937. 57 minutos. Blanco y Negro. Republic. Bob Steele, Lois January.
        Sing, Cowboy, Sing. 1937. 59 minutos. Blanco y Negro. Grand National. Tex Ritter, Louise Stanley.
        Riders of the Rockies. 1937. 56 minutos. Blanco y Negro. Grand National. Tex Ritter, Louise Stanley.
        Riders of the Dawn. 1937. 55 minutos. Blanco y Negro. Monogram. Jack Randall, Peggy Keyes.
        God’s Country and the Man. 1937. 56 minutos. Blanco y Negro. Monogram. Tom Keene, Betty Compton.
        Stars Over Arizona. 1937. 62 minutos. Blanco y Negro. Monogram. Jack Randall, Kathleen Elliott.
        Where Trails Divide. 1937. 60 minutos. Blanco y Negro. Monogram. Tom Keene, Eleanor Stewart.
        Danger Valley. 1937. 58 minutos. Blanco y Negro. Monogram. Jack Randall, Lois Wilde, Charles King.
        Romance of the Rockies. 1937. 53 minutos. Blanco y Negro. Monogram. Tom Keene, Beryl Wallace, Bill Cody, Jr.
        Forbidden Trails. 1941. 54 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Christine McIntyre, Raymond Hatton.

    English-Spanish dictionary of western films > Bradbury, Robert North

  • 15 Carr, Thomas

    1907-1997
       Hijo y hermano de actores, tambien actor el, lo encontramos desde la infancia dentro del mundo del cine, interpretando papeles de distinta importancia hasta que, en 1945, se incorpora a la realizacion. Thomas Carr fue uno mas entre tantos directores de series (incluidas unas Adventures of Superman televisivas en 1952), sobre todo para Republic. Nada resenable en su extensa filmografia, que incluye un importante numero de producciones destinadas a la pequena pantalla.
        Santa Fe Saddlemates. 1945. 56 minutos. Blanco y Negro. Republic. Sunset Carson, Linda Stirling, Roy Barcroft.
        Oregon Trail. 1945. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Peggy Stewart, Si Jenks.
        Bandits of the Badlands. 1945. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Peggy Stewart, Si Jenks.
        Rough Riders of Cheyenne. 1945. 56 minutos. Blanco y Negro. Republic. Sunset Carson, Peggy Stewart, Monte Hale.
        The Cherokee Flash. 1945. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Linda Stirling, Tom London.
        Days of Buffalo Bill. 1946. 56 minutos. Blanco y Negro. Republic. Sunset Carson, Peggy Stewart, Tom London.
        Alias Billy the Kid. 1946. 56 minutos. Blanco y Negro. Republic. Sunset Carson, Peggy Stewart, Tom London.
        The El Paso Kid. 1946. 54 minutos. Blanco y Negro. Republic. Sunset Carson, Marie Harmon, Edmund Cobb.
        Red River Renegades. 1946. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Peggy Stewart, Tom London.
        Rio Grande Raiders. 1946. 56 minutos. Blanco y Negro. Republic. Sunset Carson, Bob Steele, Linda Sterling.
        Jesse James Rides Again (co-d.: Fred C. Brannon). 1947. 180 minutos. 13 capitulos. Blanco y Negro. Republic. Clayton Moore, Linda Stirling.
        Song of the Wasteland. 1947. 56 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Lee White, Holly Bane.
        Code of the Saddle. 1947. 53 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Kay Morley.
        The Dalton’s Women. 1950. 80 minutos. Blanco y Negro. Howco. Lash LaRue, Al St. John, Pamela Blake.
        Hostile Country. 1950. 60 minutos. Blanco y Negro. Lippert. Jimmy Ellison, Russell Hayden, Julie Adams.
        Marshal of Heldorado. 1950. 53 minutos. Blanco y Negro. Lippert. Jimmy Ellison, Russell Hayden, Julie Adams.
        Colorado Ranger. 1950. 59 minutos. Blanco y Negro. Lippert. Jimmy Ellison, Russell Hayden, Julie Adamas.
        Roar of the Iron Horse, Rail-Blazer of the Apache Trail (co-d.: Spencer Gordon Bennett). 1950. 260 minutos. 15 capitulos. Blanco y Negro. Columbia. Jock Mahoney, Virginia Herrick.
        West of the Brazos. 1950. 58 minutos. Blanco y Negro. Lippert. Jimmy Ellison, Russell Hayden, Julie Adams.
        Crooked River. 1950. 55 minutos. Blanco y Negro. Lippert. Jimmy Ellison, Russell Hayden, Julie Adams.
        Fast on the Draw. 1950. 55 minutos. Blanco y Negro. Lippert. Jimmy Ellison, Russell Hayden, Julie Adams.
        Outlaws of Texas. 1950. 56 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Phyllis Coates.
        Wanted: Dead or Alive. 1951. 59 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Christine McIntyre.
        Man from the Black Hills. 1952. 51 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Jimmy Ellison, Lane Bradford.
        Behind Southern Lines. 1952. 51 minutos. Blanco y Negro. Monogram. Guy Madison, Andy Devine, Rand Brooks.
        Trail of the Arrow. 1952. 54 minutos. Blanco y Negro. Monogram. Guy Madison, Andy Devine, Wendy Waldron.
        Wyoming Roundup. 1952. 53 minutos. Blanco y Negro. Monogram. Whip Wilson, Phyllis Coates, Tommy Farrell.
        The Maverick. 1952. 71 minutos. Blanco y Negro. Allied. Bill Elliott, Phyllis Coates, Myron Healey.
        Star of Texas. 1953. 68 minutos. Blanco y Negro. Allied. Wayne Morris, Paul Fix, Frank Ferguson.
        Rebel City. 1953. 62 minutos. Blanco y Negro. Allied. Bill Elliott, Marjorie Lord, Robert Kent.
        Topeka. 1953. 71 minutos. Blanco y Negro. Allied. Bill Elliott, Phyllis Coates, Fuzzy Knight.
        The Fighting Lawman. 1953. 71 minutos. Blanco y Negro. Allied. Wayne Morris, Virginia Grey, John Kellogs.
        Bitter Creek. 1954. 74 minutos. Blanco y Negro. Allied. Bill Elliott, Beverly Garland, Carleton Young.
        The Forty-Niners (El pistolero desconocido). 1954. 71 minutos. Blanco y Negro. Allied. Bill Elliott, Virginia Grey, Henry Morgan.
        The Desperado. 1954. 81 minutos. Blanco y Negro. Allied. Wayne Morris, James Lydon, Beverly Garland.
        The Tall Stranger (Valle prohibido). 1957. 81 minutos. Color DeLuxe. CinemaScope. Allied. Joel McCrea, Virginia Mayo, Barry Kelley, Michael An sara.
        Gunsmoke in Tucson. 1958. 79 minutos. Color DeLuxe. CinemaScope. Allied. Mark Stevens, Forrest Tucker, Gale Robbins.
        Cast a Long Shadow. 1959. 82 minutos. Blanco y Negro. Mirisch (UA). Audie Murphy, John Dehner, Terry Moore.

    English-Spanish dictionary of western films > Carr, Thomas

  • 16 English, John

    1903-1969
       Britanico de nacimiento, director de series y seriales, correcto pero impersonal, al que asociamos al mundo del western y, en particular, a algunas de sus estrellas de los anos 30 y 40, como Robert Livingston, Bob Steele o Gene Autry. Peliculas, siempre, que rondan la hora de duracion.
        The Red Blood of Courage. 1935. 55 minutos. Blanco y Negro. Ambassador Kermit Maynard, Ann Sheridan.
        His Fighting Blood. 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Polly Ann Young.
        Arizona Days. 1937. 57 minutos. Blanco y Negro. Grand National. Tex Ritter, Eleanor Stewart.
        Whistling Bullets. 1937. 57 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Harley Wood.
        Zorro Rides Again (co-d.: William Witney). 1937. 212 minutos. 12 capitu los. Blanco y Negro. Republic. John Carroll, Helen Christian.
        Call the Mesquiteers. 1938. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Lynne Roberts, Ray Corrigan, Max Terhune.
        The Lone Ranger (co-d.: William Witney). 1938. 264 minutos. 15 capitulos. Blanco y Negro. Republic. Lee Powell, Lynne Roberts, Bruce Bennett.
        The Lone Ranger Rides Again (co-d.: William Witney). 1939. 263 minutos. 15 capitulos. Blanco y Negro. Republic. Robert Livingston, Duncan Renaldo.
        Zorro’s Fighting Legion (co-d.: William Witney). 1939. 212 minutos. 12 capitulos. Blanco y Negro. Republic. Reed Hadley, Sheila Darcey.
        Hi-Yo Silver (co-d.: William Witney). 1940. 69 minutos. Blanco y Negro. Republic. Lee Powell, Lynne Roberts, Bruce Bennett.
        King of the Royal Mounted (El rey de la policia montada). (co-d.: William Witney). 1940. 211 minutos. 12 capitulos. Blanco y Negro. Republic. Allan Lane, Robert Strange, Lita Conway.
        Adventures of Red Ryder (co-d.: William Witney). 1940. 205 min. 12 capitulos. Blanco y Negro. Republic. Don Barry, Noah Beery, Vivian Austin.
        Gangs of Sonora. 1941. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Bob Steele, Rufe Davis, Helen McKellar.
        King of the Texas Rangers (co-d.: William Witney). 1941. 215 minutos. 12 capitulos. Blanco y Negro. Republic. Sammy Baugh, Pauline Moore, Duncan Renaldo.
        Code of the Outlaw. 1942. 55 minutos. Blanco y Negro. Republic. Bob Steele, Tom Tyler, Rufe Davis, Melinda Leighton.
        Raiders of the Range. 1942. 55 minutos. Blanco y Negro. Republic. Bob Steele, Tom Tyler, Rufe Davis, Lois Collier.
        Westward Ho. 1942. 56 minutos. Blanco y Negro. Republic. Bob Steele, Tom Tyler, Rufe Davis, Evelyn Brent.
        Yukon Patrol (co-d.: William Witney). 1942. 68 minutos. Blanco y Negro. Republic. Allan Lane, Robert Strange, Lita Conway.
        The Phantom Plainsmen. 1942. 65 minutos. Blanco y Negro. Republic. Bob Steele, Tom Tyler, Rufe Davis, Lois Collier.
        King of the Mounted. 1942. 196 minutos. 12 capitulos. Blanco y Negro. Republic. Allan Lane, Gilbert Emery, Peggy Drake.
        Valley of Hunted Men. 1942. 60 minutos. Blanco y Negro. Republic. Bob Steele, Tom Tyler, Jimmie Dodds, Anna Marie Stewart.
        Thundering Trails. 1943. 56 minutos. Blanco y Negro. Republic. Bob Steele, Tom Tyler, Jimmie Dodds, Nell O’Day.
        Dead Man’s Gulch. 1943. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick
        Daredevils of the West. 1943. 196 minutos. 12 capitulos. Blanco y Negro. Republic. Allan Lane, Kay Aldridge, Eddie Acuff.
        The Man from Thunder River. 1943. 57 minutos. Blanco y Negro. Republic. Bill Elliott, Anne Jeffreys, George Hayes.
        Black Hills Express. 1943. 56 minutos. Blanco y Negro. Republic. Don Barry, Wally Vernon, Ariel Heath.
        Death Valley Manhunt. 1943. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Anne Jeffreys, George Hayes.
        Overland Mail Robbery. 1943. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Anne Jeffreys, George Hayes.
        Raiders of Sunset Pass. 1943. 57 minutos. Blanco y Negro. Republic. Eddie Dew, Jennifer Holt, Smiley Burnette.
        The Laramie Trail. 1944. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Linda Brent, Smiley Burnette.
        Silver City Kid. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Peggy Stewart, Wally Vernon.
        San Fernando Valley (co-d.: Yakima Canutt). 1944. 77 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, Jean Porter.
        Utah. 1945. 78 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes, Peggy Stewart.
        Don’t Fence Me In. 1945. 71 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes, Bob Nolan.
        Trail to San Antone. 1947. 67 minutos. Blanco y Negro. Republic. Gene Autry, Peggy Stewart, Sterling Holloway.
        The Last Round-Up. 1947. 76 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Jean Heather, Carol Thurston.
        The Strawberry Roan. 1948. 76 minutos. Cinecolor. Gene Autry Productions (Columbia). Gene Autry, Gloria Henry, Pat Buttram.
        Loaded Pistols. 1948. 77 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Barbara Britton, Chill Wills.
        Riders of the Whistling Pines. 1949. 70 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Patricia White, Jimmy Lloyd.
        Rim of the Canyon. 1949. 70 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Nan Leslie, Thurston Hall.
        The Cowboy and the Indians. 1949. 68 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Sheila Ryan, Frank Richards.
        Riders in the Sky. 1949. 69 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Gloria Henry, Pat Buttram.
        Sons of New Mexico. 1950. 71 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Gail Davis, Robert Armstrong.
        Mule Train. 1950. 69 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Sheila Ryan, Pat Buttram.
        Cow Town. 1950. 70 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Gail Davis, Harry Shannon.
        Beyond the Purple Hills. 1950. 69 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Jo Dennison, Pat Buttram.
        Indian Territory. 1950. 70 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Gail Davis, Pat Buttram.
        The Blazing Sun. 1950. 70 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Lynne Roberts, Pat Buttram, Anne Gwynne.
        Gene Autry and the Mounties. 1951. 70 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Elena Verdugo, Pat Buttram.
        Whirlwind. 1951. 70 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Gail Davis, Smiley Burnette.
        Silver Canyon. 1951. 70 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Gail Davis, Pat Buttram.
        The Hills of Utah. 1951. 70 minutos. Blanco y Negro. Gene Autry Produc tions (Columbia). Gene Autry, Elaine Riley, Pat Buttram, Donna Martell.
        Valley of Fire. 1951. 70 minutos. Blanco y Negro. Gene Autry Productions (Columbia). Gene Autry, Gail Davis, Pat Buttram.
        Zorro Rides Again (co-d.: William Witney). 1959. 68 minutos. Blanco y Negro. Republic. John Carroll, Helen Christian, Duncan Renaldo.

    English-Spanish dictionary of western films > English, John

  • 17 Brannon, Fred. C.

    1901-1953
       El caso de Brannon es muy peculiar: en apenas ocho anos de actividad cinematografica, entre 1945 y 1953, realiza un buen punado de seriales y peliculas de genero para Republic. Muere ese mis mo ano, pocos dias antes de cumplir los 52. Allan Lane, uno de los nombres del western de serie B, aunque no de los mas destacados, es el protagonista de la ma yor parte de los de Brannon, quien mostro una gran capacidad de trabajo durante sus pocos anos de ac tividad realizadora. Son peliculas modestas, en absoluto destacables, pero suficientemente entretenidas.
        The Phantom Rider (co-d.: Spencer Gordon Bennett). 1946. 167 minutos. 12 capitulos. Blanco y Negro. Republic. Robert Kent, Peggy Stewart.
        King of the Forest Rangers (co-d.: Spencer Gordon Bennett). 1946. 167 minutos. 12 capitulos. Blanco y Negro. Republic. Larry Thompson, Helen Talbot.
        Son of Zorro (co-d.: Spencer Gordon Bennett). 1947. 180 minutos. 13 capitulos.
        Blanco y Negro. Republic. George Turner, Peggy Stewart. Jesse James Rides Again (co-d.: Thomas Carr). 1947. 180 minutos. 13 capitulos. Blanco y Negro. Republic. Clayton Moore, Linda Stirling.
        Dangers of the Canadian Mounted (co-d.: Yakima Canutt). 1948. 156 minutos. 12 capitulos. Blanco y Negro. Republic. Jim Bannon, Virginia Belmont.
        Adventures of Frank and Jesse James (co-d.: Yakima Canutt). 1948. 180 minutos. 13 capitulos. Blanco y Negro. Republic. Clayton Moore, Steve Darrell, Noel Neill.
        Frontier Marshall. 1949. 60 minutos. Blanco y Negro. Republic. Allan Lane, Gail Davis, Eddy Waller.
        Ghost of Zorro. 1949. 167 minutos. 12 capitulos. Blanco y Negro. Republic. Clayton Moore, Pamela Blake.
        Bandit King of Texas. 1949. 60 minutos. Blanco y Negro. Republic. Allan Lane, Helene Stanley, Eddy Waller.
        The James Brothers of Missouri. 1950. 167 minutos. 12 capitulos. Blanco y Negro. Republic. Keith Richards, Robert Bice, Noel Neill.
        Gunmen of Abilene. 1950. 60 minutos. Blanco y Negro. Republic. Allan Lane, Donna Hamilton, Eddy Waller.
        Code of the Silver Sage. 1950. 60 minutos. Blanco y Negro. Republic. Allan Lane, Kay Christopher, Eddy Waller.
        Salt Lake Raiders. 1950. 60 minutos. Blanco y Negro. Republic. Allan Lane, Martha Hyer, Eddy Waller.
        Vigilante Hideout. 1950. 60 minutos. Blanco y Negro. Republic. Allan Lane, Virginia Herrick, Eddy Waller.
        Rustlers on Horseback. 1950. 60 minutos. Blanco y Negro. Republic. Allan Lane, Claudia Barrett, Eddy Waller.
        Desperadoes of the West. 1950. 167 minutos. 12 capitulos. Blanco y Negro. Republic. Tom Keene, Roy Barcroft, Judy Clark.
        Rough Riders of Durango. 1951. 60 minutos. Blanco y Negro. Republic. Allan Lane, Aline Towne, Walter Baldwin.
        Night Riders of Montana. 1951. 60 minutos. Blanco y Negro. Republic. Allan Lane, Claudia Barrett, Chubby Johnson.
        Don Daredevil Rides Again. 1951. 167 minutos. 12 capitulos. Blanco y Negro. Republic. Ken Curtis, Roy Barcroft, Aline Towne.
        Arizona Manhunt. 1951. 60 minutos. Blanco y Negro. Republic. Michael Chapin, Eilene Janssen.
        Captive of Billy the Kid. 1952. 54 minutos. Blanco y Negro. Republic. Allan Lane, Penny Edwards, Grant Whiters.
        Wild Horse Ambush. 1952. 54 minutos. Blanco y Negro. Republic. Michael Chapin, Eilene Janssen, James Bell.
        Ghost of Zorro. 1959. 69 minutos. Blanco y Negro. Republic. Clayton Moore, Pamela Blake.

    English-Spanish dictionary of western films > Brannon, Fred. C.

  • 18 Ford, Philip

    1900-1976
       Hijo de Francis Ford y, por tanto, sobrino de John Ford, fue actor (1916-1926) y ayudante de direccion (1928-1944) hasta que, en 1945, paso a la direccion, donde no destaco especialmente, hasta el punto de cesar en su actividad a mediados de los anos 50, despues de realizar mas de 40 peliculas, la mayor parte de ellas, westerns.
        The Wild Frontier. 1947. 59 minutos. Blanco y Negro. Republic. Allan Lane, Jack Holt, Eddy Waller.
        Bandits of Dark Canyon. 1947. 59 minutos. Blanco y Negro. Republic. Allan Lane, Bob Steele, Eddy Waller, Linda Johnson.
        California Firebrand. 1948. 63 minutos. Blanco y Negro. Republic. Monte Hale, Adrian Booth, Paul Hurst.
        The Bold Frontiersman. 1948. 60 minutos. Blanco y Negro. Republic. Allan Lane, Eddy Waller, Roy Barcroft.
        The Timber Trail. 1948. 67 minutos. Trucolor. Republic. Monte Hale, Lynne Roberts, James Burke.
        Marshal of Amarillo. 1948. 60 minutos. Blanco y Negro. Republic. Allan Lane, Eddy Waller, Mildred Coles.
        Angel in Exile (co-d.: Allan Dwan). 1948. 90 minutos. Blanco y Negro. Republic. John Carroll, Adele Mara, Thomas Gomez.
        Desperadoes of Dodge City. 1948. 60 minutos. Blanco y Negro. Republic. Allan Lane, Eddy Waller, Mildred Coles.
        The Denver Kid. 1948. 60 minutos. Blanco y Negro. Republic. Allan Lane, Eddy Waller, Peggy Wynne.
        Prince of the Plains. 1949. 60 minutos. Blanco y Negro. Republic. Monte Hale, Paul Hurst, Shirley Davis.
        Law of the Golden West. 1949. 60 minutos. Blanco y Negro. Republic. Monte Hale, Paul Hurst, Gail Davis.
        Outcasts of the Trail. 1949. 60 minutos. Blanco y Negro. Republic. Monte Hale, Paul Hurst, Milt Parsons.
        The Wyoming Bandit. 1949. 60 minutos. Blanco y Negro. Republic. Allan Lane, Eddy Waller
        South of Rio. 1949. 60 minutos. Blanco y Negro. Republic. Monte Hale, Paul Hurst, Kay Christopher.
        San Antone Ambush. 1949. 60 minutos. Blanco y Negro. Republic. Monte Hale, John Hurst, Bette Daniels.
        Ranger of Cherokee Strip. 1949. 60 minutos. Blanco y Negro. Republic. Monte Hale, Paul Hurst, Alice Talton.
        Pioneer Marshal. 1949. 60 minutos. Blanco y Negro. Republic. Monte Hale, Paul Hurst, Nan Leslie.
        Powder River Rustlers. 1949. 60 minutos. Blanco y Negro. Republic. Allan Lane, Eddy Waller, Gerry Ganzer.
        The Vanishing Westerner. 1950. 60 minutos. Blanco y Negro. Republic. Monte Hale, Paul Hurst. Aline Towne.
        The Old Frontier. 1950. 60 minutos. Blanco y Negro. Republic. Monte Hale, Paul Hurst, Claudia Barrett.
        Redwood Forest Trail. 1950. 67 minutos. Blanco y Negro. Republic. Rex Allen, Jane Darwell, Jeff Donnell.
        Buckaroo Sheriff of Texas. 1951. 60 minutos. Blanco y Negro. Republic. Michael Chapin, Eilene Janssen, James Bell.
        Wells Fargo Gunmaster. 1951. 60 minutos. Blanco y Negro. Republic. Allan Lane, Chubby Johnson, Mary Ellen Kay, Michael Chapin.
        The Dakota Kid. 1951. 60 minutos. Blanco y Negro. Republic. Michael Chapin, Eilene Janssen, James Bell.
        Rodeo King and the Senorita. 1951. 67 minutos. Blanco y Negro. Republic. Rex Allen, Mary Ellen Kay, Buddy Ebsen.
        Utah Wagon Train. 1951. 67 minutos. Blanco y Negro. Republic. Rex Allen, Penny Edwards, Buddy Ebsen.
        Desperadoes’ Outpost. 1952. 54 minutos. Blanco y Negro. Republic. Allan Lane, Eddy Waller, Claudia Barrett.

    English-Spanish dictionary of western films > Ford, Philip

  • 19 McDonald, Frank

    1899-1980
       Prolifico director, capaz de rodar entre seis y siete filmes por ano, durante treinta, ajustandose siempre al presupuesto, cuya filmografia en el western se centra en la serie del cowboy cantante Roy Rogers, en algunas peliculas de la correspondiente serie del tambien cowboy cantante Gene Autry, y en la reunion, de dos en dos, de diversos capitulos del serial televisivo dedicado a Wild Hill Hickcok, con Guy Ma dison y Andy Devine como protagonistas. Estos ultimos, un total de 28 episodios distribuidos en catorce peliculas, no figuran aqui, dado su caracter de filmes realizados para TV que no han sufrido modificacion alguna antes de su pase en sa las de cine. Falle cido en 1980, puede resultar sorprendente que Mc - Donald firme una ultima pelicula como director en 1994. Se explica porque el largometraje en cuestion esta formado por escenas tomadas de otro serial televisivo, dedicado en esta ocasion al famosisimo Wyatt Earp, y escenas nuevas ro dadas para completar el metraje. Estas ultimas, evidentemente, no fueron rodadas por McDonald, sino por el que figura en los titulos de credito como co-director: Paul Landres.
        Treachery Rides the Range (Traicion en el rancho). 1936. 56 minutos. Blanco y Negro. WB. Dick Foran, Paula Stone, Monte Blue, Jim Thorpe.
        Death Goes North. 1939. 56 minutos. Blanco y Negro. Columbia. Edgar Edwards, Sheila Bromley.
        Jeepers Creepers. 1939. 69 minutos. Blanco y Negro. Republic. Roy Rogers, Maris Wrixon.
        Rancho Grande. 1940. 68 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey.
        Gaucho Serenade. 1940. 66 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey.
        Carolina Moon. 1940. 65 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey.
        Ride Tenderfoot, Ride. 1940. 66 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey.
        Arkansas Judge. 1941. 72 minutos. Blanco y Negro. Republic. Roy Rogers, Pauline Moore.
        Under Fiesta Stars. 1941. 64 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Carol Hugues.
        Lights of Old Santa Fe. 1944. 76 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes, Bob Nolan.
        Bells of Rosarita. 1945. 68 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.
        The Man from Oklahoma. 1945. 68 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.
        Sunset in El Dorado. 1945. 65 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.
        Along the Navajo Trail (co-d.: Yakima Canutt). 1945. 66 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.
        Song of Arizona. 1946. 68 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.
        Rainbow Over Texas. 1946. 65 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.
        My Pal Trigger (co-d.: Yakima Canutt). 1946. 79 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.
        Under Nevada Skies. 1946. 69 minutos. Blanco y Negro. Republic. Roy Rogers, Dale Evans, George Hayes.
        Sioux City Sue. 1946. 69 minutos. Blanco y Negro. Republic. Gene Autry, Sterling Holloway, Lynne Roberts.
        Twilight on the Rio Grande. 1947. 71 minutos. Blanco y Negro. Republic. Gene Autry, Sterling Holloway, Adele Mara.
        Gun Smugglers. 1948. 61 minutos. Blanco y Negro. RKO. Tim Holt, Richard Martin, Martha Hyer.
        The Big Sombrero. 1949. 77 minutos. Cinecolor. Gene Autry Productions/ Columbia. Gene Autry, Elena Verdugo.
        Apache Chief. 1949. 60 minutos. Blanco y Negro. Lippert. Alan Curtis, Russell Hayden, Carol Thurston, Tom Neal.
        Snow Dog. 1950. 63 minutos. Blanco y Negro. Monogram. Kirby Grant, Elena Verdugo, Rick Vallin.
        Call of the Klondike. 1950. 67 minutos. Blanco y Negro. Monogram. Kirby Grant, Anne Gwynne, Lynne Roberts, Tom Neal.
        Sierra Passage. 1951. 81 minutos. Blanco y Negro. Monogram. Wayne Moris, Lola Albright.
        Texans Never Cry. 1951. 70 minutos. Blanco y Negro. Gene Autry Productions/Columbia. Gene Autry, Pat Buttram, Mary Castle, Gail Davis.
        Yukon Manhunt. 1951. 63 minutos. Blanco y Negro. Monogram. Kirby Grant, Gail Davis, Margaret Field.
        Northwest Territory. 1951. 61minutos. Blanco y Negro. Monogram. Kirby Grant, Gloria Saunders, Warren Douglas.
        Yukon Gold. 1952. 62 minutos. Blanco y Negro. Monogram. Kirby Grant, Martha Hyer, Harry Lauter.
        Son of Belle Starr. 1953. 70 minutos. Cinecolor. Allied. Keith Larsen, Dona Drake, Peggie Castle.
        Thunder Pass. 1954. 76 minutos. Blanco y Negro. Lippert. Dane Clark, Andy Devine, Dorothy Patrick.
        Treasure of Ruby Hills. 1955. 71 minutos. Blanco y Negro. Allied. Zachary Scott, Carole Mathews.
        Gunfight at Comanche Creek (Comanche Creek). 1963. 91 minutos. Color DeLuxe. Panavision. Allied. Audie Murphy, Ben Cooper, Coleen Miller.
        Wyatt Earp: Return to Tombstone (co-d.: Paul Landres). 1994. 100 minutos. Blanco y Negro/Color. CSA Special Engineering. Hugh O’Brian, Bruce Boxleitner, Douglas Fowley.

    English-Spanish dictionary of western films > McDonald, Frank

  • 20 Bennet, Spencer Gordon

    1893-1987
       Debuta en el cine como especialista para Edison en los anos 10 del pasado siglo, antes de convertirse en ayudante de direccion de George Seitz y, despues, en realizador de seriales. En el ano 35 empieza a trabajar para Columbia, dirigiendo westerns, uno detras de otro, a un ritmo frenetico. Durante las decadas de los 40 y 50 se convierte en el gran especialista de Hollywood en seriales, para Republic y para Columbia, llegando a dirigir para esta el que historicamente se considera el ultimo de ellos, Blazing the Overland Trail, en 1956. Como tantos otros, termino dando con sus huesos en la television. La ultima frontera (The Black Ghost) es una version reducida, para un unico largometraje, del serial The Last Frontier.
        Rogue of the Rio Grande. 1930. 57 minutos. Blanco y Negro. World Wide. Jose Bohr, Myrna Loy.
        The Last Frontier (co-d.: Thomas L. Storey). 1932. 213 minutos. 12 capitu los. Blanco y Negro. RKO. Lon Chaney, Jr., Dorothy Gulliver.
        The Black Ghost (La ultima frontera) (co-d.: Thomas L. Storey). 1932. 70 minutos. Blanco y Negro. RKO. Lon Chaney, Jr., Dorothy Gulliver.
        Jaws of Justice. 1933. 58 minutos. Blanco y Negro. Principal Pictures. Jack Perrin, Ruth Sullivan.
        Ferocious Pal. 1934. 55 minutos. Blanco y Negro. Principal Pictures. Ruth Sullivan, Tom London.
        Western Courage. 1935. 61 minutos. Blanco y Negro. Columbia. Ken Maynard, Geneva Mitchell, Charles K. French.
        Lawless Riders. 1935. 57 minutos. Blanco y Negro. Columbia. Ken Maynard, Geneva Mitchell, Harry Woods, Frank Yaconelli.
        Heir to Trouble. 1935. 59 minutos. Blanco y Negro. Columbia. Ken Maynard, Joan Perry, Harry Woods.
        The Cattle Thief (El cuatrero). 1936. 50 minutos. Blanco y Negro. Columbia. Ken Maynard, Geneva Mitchell, Ward Bond.
        Avenging Waters (El torrente vengador). 1936. 57 minutos. Blanco y Negro. Columbia. Ken Maynard, Beth Marion, Ward Bond.
        Heroes of the Range. 1936. 58 minutos. Blanco y Negro. Columbia. Ken Maynard, June Gale, Harry Woods.
        The Fugitive Sheriff (El sheriff vindicado). 1936. 58 minutos. Blanco y Negro. Columbia. Ken Maynard, Beth Marion, Walter Miller.
        The Unknown Ranger. 1936. 57 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Martha Tibbetts.
        Rio Grande Ranger. 1936. 54 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Iris Meredith.
        Ranger Courage. 1937. 58 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Martha Tibbetts.
        Law of the Ranger. 1937. 57 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Elaine Shepard.
        Reckless Ranger. 1937. 56 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Louise Small, Jack Perrin.
        The Rangers Step In. 1937. 58 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Eleanor Stewart.
        Across the Plains. 1939. 59 minutos. Blanco y Negro. Monogram. Jack Randall, Joyce Bryant, Frank Yaconelli.
        Riders of the Frontier. 1939. 58 minutos. Blanco y Negro. Monogram. Tex Ritter, Jean Joyce, Jack Rutherford.
        Oklahoma Terror. 1939. 50 minutos. Blanco y Negro. Monogram. Jack Randall, Virginia Carroll, Al St John.
        Westbound Stage. 1939. 56 minutos. Blanco y Negro. Monogram. Tex Ritter, Muriel Evans.
        Cowboy from Sundown. 1940. 58 minutos. Blanco y Negro. Monogram. Tex Ritter, Pauline Haddon, Roscoe Ates.
        Ridin’ the Cherokee Trail. 1941. 62 minutos. Blanco y Negro. Monogram. Tex Ritter, Betty Miles, Slim Andrews.
        Arizona Bound. 1941. 55 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Luana Walters, Raymond Hatton.
        The Gunman from Bodie. 1941. 62 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Christine McIntyre, Raymond Hatton.
        The Valley of Vanishing Men. 1942. 280 minutos. 15 capitulos. Blanco y Negro. Columbia. Bill Elliott, Carmen Morales, Slim Summerville.
        Calling Wild Bill Elliott. 1943. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Ann Jeffreys, George Hayes.
        Canyon City. 1943. 57 minutos. Blanco y Negro. Republic. Don Barry, Helen Talbot, Wally Vernon.
        California Joe. 1943. 55 minutos. Blanco y Negro. Republic. Don Barry, Helen Talbot, Wally Vernon.
        Beneath Western Skies. 1944. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Smiley Burnette, Effie Laird.
        Mojave Firebrand. 1944. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Anne Jeffreys, George Hayes.
        Tucson Raiders. 1944. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, George Hayes, Bob Blake.
        Code of the Prairie. 1944. 56 minutos. Blanco y Negro. Republic. Smiley Burnette, Sunset Carson, Peggy Stewart.
        Zorro’ Black Whip (Latigo negro) (co-d.: Wallace Grissell). 1944. 211 minutos. 12 capitulos. Blanco y Negro. Republic. George J. Lewis, Linda Stirling.
        The Lone Texas Ranger. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Helen Talbot, Bob Blake.
        The Phantom Rider (co-d.: Fred C. Brannon). 1946. 167 minutos. 12 capitulos. Blanco y Negro. Republic. Robert Kent, Peggy Stewart.
        King of the Forest Rangers (co-d.: Fred Brannon). 1946. 167 minutos. 12 capitulos. Blanco y Negro. Republic. Larry Thompson, Helen Talbot.
        Son of Zorro (co-d.: Fred C. Brannon). 1947. 180 minutos. 13 capitulos. Blanco y Negro. Republic. George Turner, Peggy Stewart.
        Cody of the Pony Express. 1950. 15 capitulos. Blanco y Negro. Columbia. Jock O’Mahoney, Peggy Stewart, Dickie Moore.
        Roar of the Iron Horse, Rail-Blazer of the Apache Trail (co-d.: Thomas Carr). 1950. 260 minutos. 15 capitulos. Blanco y Negro. Columbia. Jock O’Mahoney, Virginia Herrick.
        Brave Warrior. 1952. 73 minutos. Technicolor. Columbia. Jon Hall, Christine Larson.
        Son of Geronimo: Apache Avenger. 1952. 240 minutos. 15 capitulos. Blanco y Negro. Columbia. Clayton Moore, Rodd Redwing, Eileen Rowe.
        Gunfighters of the Northwest. 1954. 15 capitulos. Blanco y Negro. Columbia. Jock O’Mahoney, Phyllis Coates, Clayton Moore.
        Riding with Buffalo Bill. 1954. 15 capitulos. Blanco y Negro. Columbia. Marshall Reed, Rick Vallin, Joanne Rio.
        Perils of the Wilderness. 1956. 15 capitulos. Blanco y Negro. Columbia. Dennis Moore, Richard Emory, Eve Anderson (Evelyn Finley).
        Blazing the Overland Trail. 1956. 15 capitulos. Blanco y Negro. Columbia. Lee Roberts, Dennis Moore, Norma Brooks.
        Requiem for a Gunfighter. 1965. 91 minutos. Technicolor. Techniscope. Embassy. Rod Cameron, Stephen McNally, Olive Sturgess.
        The Bounty Killer. 1965. 92 minutos. Technicolor. Techniscope. Embassy. Dan Duryea, Audrey Dalton, Rod Cameron.

    English-Spanish dictionary of western films > Bennet, Spencer Gordon

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